THE MIDNIGHT FAIR

What happens after the midway closes and rides shut down for the night?

Forest animals—deer, bears, squirrels, a stoat, a badger or two, a wolf, a fox, rabbits, mice—peer from the shadows of trees by the field where trucks arrive to set up the county fair. They watch from the edge of the woods as the fairground fills with humans who stay late into the evening. The families leave, the caretaker pulls a large switch, and the fairground is, for a moment, dark and empty. Only the silhouettes of the creatures can be seen against the dark forest, along with many pairs of glowing eyes, moving toward the now-quiet fairground. A lively after-hours adventure follows. Two raccoons flip the switch on as furry fairgoers bring mushrooms, wildflowers, pine cones, and acorns for payment. Di Giorgio interprets Sterer’s wordless tale in a rich, soft palette, with dramatic full openings and multiple detailed frames conveying the excitement, the lights, the smells of popcorn and fairground foods, the sounds of rides and riders. Even the harmless flames of the Dante’s Inferno ride seem fun. Animals whirl in teacups, ride the roller coaster under the moon, and leave at dawn, tired, happy, and a bit sticky. The wolf, at the edge of a lake, releases a goldfish won at the ring-toss booth. (This book was reviewed digitally.)

Gorgeously whimsical and utterly convincing.