A complex but clearly written account of abstract scientific theory recommended for readers interested in new realms of...
In his absorbing, informative collection of essays, Tolkowsky (Homage to Stretcher Bearer, 2009) examines the connection between technology and metaphysics, focusing specifically on the history of flight.
From its beginnings, mankind has been fascinated with the idea of flying and the divine mystery of outer space. In the preface to this book, Tolkowsky speculates that “the problems that engineers apply their minds to and the solutions they find…are strongly influenced by abstract ideas.” He centers his essays on flight technology and metaphysics, based on the idea that man’s ability to fly “served as a starting line for an unfathomable wave of technological innovation and merging of technology with society in its broadest sense.” In Chapter 1, he examines how Charles Darwin’s theory of evolution affected the scientific and spiritual communities of the 19th century. He specifically details Russian scientist Konstantin E. Tsiolkovsky’s theory of “Homo cosmiscus,” or the next stage of human evolution, in which man would biologically adapt to life in outer space. This concept of “space colonization” is continued in Chapter 2, comparing and contrasting how people in Russia and the United States have approached spiritual and engineering aspects of space exploration. In the third chapter, the author dissects the religious motivations behind mankind’s interest in space, specifically examining the tenets of pagan sun worship and its strong significance in modern religion and technology. The final chapter explains the early struggles of engineers, scientists and theorists seeking to build a flying machine. With the author’s previous experience as a combat pilot and aeronautical engineer, he clearly shows reverence and devotion to the subject matter. The book’s thesis is unusual yet intriguing, strongly supported with historical facts and developed smoothly from chapter to chapter. The prose is remarkably explanative, if sometimes repetitious, and never weighed down by excessive scientific terminology. Although some of the ideas may be difficult to fathom, the book is often engrossing; readers should be able to understand it without any previous knowledge of metaphysics or technology.
A complex but clearly written account of abstract scientific theory recommended for readers interested in new realms of thought.Pub Date: July 25, 2013
ISBN: 978-1629010021
Page Count: 118
Publisher: Inkwater Press
Review Posted Online: Sept. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
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