Despite its melodrama and long-windedness, the novel boasts a formidable female protagonist who shines brightly throughout.
A historical novel inspired by the scandalous 16th-century love affair between a Venetian noblewoman and the heir apparent of Tuscany.
In 1558, 10-year-old Bianca Capello watches helplessly as her mother dies from malaria. Prevented by her aunts from administering any of the experimental cures for malaria her mother had been working on, Bianca vows to take up her mother’s work. In an annex of her father’s palace, Bianca secretly begins to develop medicines based upon her mother’s belief in the healing powers of artemisia, a flowering wormwood plant. At 15, Bianca finds herself employed in the Sick House run by nuns, hoping to test out her fledgling “cures.” But when her father learns of her work, he locks her up in his country estate. With the aid of her servant, she meets Piero, a young clerk for the Salviati bank in Florence. Florence is Medici territory, and the family is known to practice alchemy, the very skill Bianca needs to purify her plants for medicinal use. Piero is her ticket out of Venice, even if it means she must marry him. In Florence she meets Francesco I de’ Medici, heir to the grand duke of Tuscany. This meeting proves to be the beginning of a grand love affair that survives her marriage to Piero as well as Francesco’s later marriage into Habsburg royalty. Although Berardi’s novel is centered mostly on the scandalous relationship between Bianca and Francesco, the real story here is Bianca’s relentless efforts to find a cure for malaria. She’s depicted as an independent woman willing to stand up to the male establishment at all costs. Her deepest passion is for her “science,” a word repeated with exhausting frequency throughout the narrative. However, Berardi also fills her tale with fascinating historical nuggets about the Medici family, noting the unusual number of family deaths due to arsenic poisoning. The author meticulously tracks Bianca’s experiments, from the way she grows her artemisia and various herbs, to her preparations and delivery of her potions to those desperate enough to try her untested mixtures.
Despite its melodrama and long-windedness, the novel boasts a formidable female protagonist who shines brightly throughout.Pub Date: Feb. 10, 2026
ISBN: 9798896360704
Page Count: 304
Publisher: She Writes Press
Review Posted Online: Jan. 5, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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