The most original admissions essay seen since Legally Blonde.
A 14-year old pens a premature and very precocious admissions essay in Levangie’s quirky latest (The After Wife, 2012, etc.).
Perry Gonzales, daughter of “the estimable Yelena Maria Gonzales, R.N.” a hardworking single mother, is tendering her application to Bennington College, four years early. This scholarship student, who commutes from rough North Hollywood to the exclusive Mark Frost Academy in Beverly Hills, is already anticipating her future as a writer, a career that can only be advanced by attending the same Vermont college that produced Bret Easton Ellis and Donna Tartt. Her personal essay, as such essays must, demonstrates community service and extracurricular components: in Perry’s case, her thriving small business tutoring her privileged, spoiled and tragically flawed Mark Frost classmates. Each of the seven tutoring assignments she details is a mini-allegory about a deadly sin, complete with illustrations (not seen.) Lust involves the cossetted daughter whose birthday wish, a backyard concert by the boy band du jour, has unexpected consequences for her neglected, studious brother. Two of the anecdotes, Wrath and Greed, detail unorthodox, some would say criminal, methods for coping with sociopathic children. In Gluttony and Sloth, respectively, an obese student whose hunger literally knows no bounds and a video gamer whose body has atrophied except in those areas required for his all-consuming pastime suffer symbolic retribution for their excesses. As her “essay” ticks off the transgressions, some facts about Perry herself begin to emerge: She is academically gifted but humbly diligent, ever grateful and respectful toward her mother, and, where a handsome quarterback (in Pride) is concerned, as vulnerable as her airheaded Mark Frost schoolmates. As her own treatise about sin conclusively shows, it is possible to be too rich, but could Perry be too good? Although at first blush this “cautionary tale” mimics a YA novel in the Gossip Girls vein, Levangie’s conceit works on an adult level mainly due to the fact that it’s economical—too much elaboration would weigh down what is essentially a collection of frothy shaggy dog jokes.
The most original admissions essay seen since Legally Blonde.Pub Date: Oct. 17, 2013
ISBN: 978-0-399-16673-0
Page Count: 256
Publisher: Blue Rider Press
Review Posted Online: Aug. 17, 2013
Kirkus Reviews Issue: Sept. 1, 2013
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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