by Gilbert King ‧ RELEASE DATE: April 1, 2008
Injustice, inhumanity and death, all made strangely charming and unforgettable.
A well-wrought tale of murder, secrets, lies and state-sponsored and state-botched retribution.
In addition to accounts of the atomic bombing of Hiroshima, August 6, 1945, editions of Louisiana newspapers carried news of the arrest of Willie Francis, a black, stuttering, semi-literate teenager accused of the murder of small-town pharmacist Andrew Thomas. After the detention, trial and conviction, which were riddled with constitutional offenses shocking to a post–Warren Court citizenry, Francis incredibly survived the electric chair, thanks to the malfeasance of his drunken executioners. Was the State of Louisiana legally entitled to attempt the execution again? The unsuccessful battle to save Francis’s life constitutes the heart of King’s story and features three heroes: Bertrand DeBlanc, friend of the victim and grandson of a state Supreme Court justice who fought tirelessly and for little pay; A.P. Tureaud, pioneering NAACP attorney; and J. Skelly Wright, who argued the case before the U.S. Supreme Court, and who was destined to become one of the great judges in American history. The informed and reader-friendly discussion of the legal issues and maneuvers attending the Francis appeal, including the intriguing backstage drama at the nation’s highest court, is reason enough to recommend this story, but King’s masterful applications of Bayou State color set this book apart. Ably navigating the bewildering gradations of heritage and race that were so important in postwar Louisiana, he drenches these pages with the lore of the “cursed” Cajun town of St. Martinville, locus of the Thomas murder and terminus of the fictional “Evangeline,” made famous in Henry Wadsworth Longfellow’s epic poem of the same name. King (Woman, Child For Sale: The New Slave Trade in the 21st Century, 2004) expertly juxtaposes the electric chair’s adoption as a supposedly humane alternative to the barbarity of hanging with the grisly experience of the probably guilty young man who finally died in the lap of the killing machine nicknamed “Gruesome Gertie.”
Injustice, inhumanity and death, all made strangely charming and unforgettable.Pub Date: April 1, 2008
ISBN: 978-0-465-00265-8
Page Count: 324
Publisher: Basic Civitas
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2008
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by Gilbert King
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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