An often elegantly crafted story that explores the love between parents and their children and how people come to terms with...
A woman discovers that she’s the reincarnated spirit of an Inca warrior in this imaginative debut novel.
When young emergency room doctor Megan Kimsey’s father passes away unexpectedly, her world collapses. Strange visions, similar to those she had as a child, start to intrude on her life. Then she finds a package from her late father containing a ticket to an archaeological conference in Bogotà, Colombia. It turns out Megan became an object of intense academic curiosity after her father sent copies of her unusual childhood drawings to a prominent researcher. Against her family’s strong objections (particularly those of her overbearing mother), she travels to South America, where she gets caught up in an Indiana Jones–style adventure as she strives to discover the truth about her paranormal gifts. Wisely, Bensman never attempts to offer a logical explanation for the origins of Megan’s mysterious visions, which involve troubling memories of a child sacrifice. Rather, she simply presents these past-life experiences as fact and then uses them to explore the effects of trauma on the human psyche. When Megan was a child, a girl that she cared for died under tragic circumstances; by succumbing to her visions, Megan is able to achieve a measure of closure for both herself and for Illapa, the father of the sacrificed child who died centuries earlier. The passages that describe Megan’s journeys to the distant past are among the book’s most affecting. Less effective, though, are the scenes set in Colorado before Megan goes to Colombia. This back story is important, but the writing lacks the verve of the later chapters. Particularly sluggish are the sections dealing with Megan and her mother, as there’s no resolution to their conflict. But once the action shifts to South America, the novel becomes brisk and engaging as dashes of action and romance enliven the otherwise serious story. Also impressive is Bensman’s commitment to authentic historical and linguistic details, which effectively transport readers to the Colombian milieu.
An often elegantly crafted story that explores the love between parents and their children and how people come to terms with the loss of loved ones.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Horn Rimmed Editions
Review Posted Online: June 24, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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