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KILLER ON THE ROAD

VIOLENCE AND THE AMERICAN INTERSTATE

An interesting detour into a true-crime niche.

Strand (Inventing Niagara: Beauty, Power, and Lies, 2008, etc.) explores the connection between America’s sprawling highway system and the pathology of the murderers who have made them a killing ground.

Alternating case histories of notorious serial killers who exploited the mobility and anonymity made possible by the interstates with a history of the political and social forces that built them, the author strives to debunk popular notions of the resourceful, brilliant psychopath—most of the men profiled here were uncharismatic, not particularly bright and eerily ordinary in affect and appearance. She also tries to link the psychological effects of the lonely open road to the will to murder. Strand’s sociological assertions can seem a bit notional and flimsily argued, and the history of the politics behind the building of the interstates is unsurprisingly dry, but the case histories of the murderers and their crimes exert a queasy fascination. The author offers well-researched summations of the Charles Starkweather/Caril Fugate multi-state spree, the appalling history of the Atlanta child murders and the prostitute killings of trucker Bruce Mendenhall, among others. The chilling effect of these stories is difficult to shake. The Mendenhall material is particularly interesting in its look at truck-stop design and the trucking lifestyle and the ways in which they may actually precipitate violent behavior. The narrative is tedious for stretches, not unlike a long cross-country drive, but the grim stories of murder on the highway may do for road trips what Jaws did for surfing.

An interesting detour into a true-crime niche.

Pub Date: April 15, 2012

ISBN: 978-0-292-72637-6

Page Count: 222

Publisher: Univ. of Texas

Review Posted Online: Feb. 19, 2012

Kirkus Reviews Issue: March 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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