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LOST IN THE RIVER OF GRASS

Thirteen-year-old Sarah’s new classmates at Glades Academy don’t welcome her—she’s there on scholarship, and her mother works in the school cafeteria. On a field trip to the Everglades, Sarah seizes the chance to get away by sneaking off on an airboat ride through the saw-grass marsh with the guide’s 15-year-old son, Andy, taking only her backpack, a camera and some mosquito spray. A stop at a remote fishing camp ends in disaster when the boat sinks, and they’re stranded, surrounded by alligators and snakes, with half a bottle of Gatorade and a can of SPAM. Andy knows what they’re up against, but Sarah refuses to believe that they must leave the tiny island to trudge the 10 miles back to land. Wildlife and vegetation are vividly described; Sarah’s fear is palpable in scenes of near-disaster, and readers will cheer when she and Andy make it safely out of the swamp after five days. However, the first-person narrative is uneven, marred by gaps that make it hard to fully visualize some situations, and there are too few transitions to support some rather sudden instances of closeness between Sarah and Andy. Rorby cleverly offers only subtle hints that Sarah is African-American and Andy is white until late in the story, adding depth to this survival story framed within the story of an outsider. (Adventure. 12-14)

Pub Date: March 1, 2011

ISBN: 978-0-7613-5685-1

Page Count: 264

Publisher: Carolrhoda

Review Posted Online: Feb. 10, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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MAPPING THE BONES

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.

A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).

Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)

Pub Date: March 6, 2018

ISBN: 978-0-399-25778-0

Page Count: 432

Publisher: Philomel

Review Posted Online: Dec. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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I HAVE A BAD FEELING ABOUT THIS

Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre.

Survival camp? How can you not have bad feelings about that?

Sixteen-year-old nerd (or geek, but not dork) Henry Lambert has no desire to go to Strongwoods Survival Camp. His father thinks it might help Henry man up and free him of some of his odd phobias. Randy, Henry’s best friend since kindergarten, is excited at the prospect of going thanks to the camp’s promotional YouTube video, so Henry relents. When they arrive at the shabby camp in the middle of nowhere and meet the possibly insane counselor (and only staff member), Max, Henry’s bad feelings multiply. Max tries to train his five campers with a combination of carrot and stick, but the boys are not athletes, let alone survivalists. When a trio of gangsters drops in on the camp Games to try to collect the debt owed by the owner, the boys suddenly have to put their skills to the test. Too bad they don’t have any—at all. Strand’s summer-camp farce is peopled with sarcastic losers who’re chatty and wry. It’s often funny, and the gags turn in unexpected directions and would do Saturday Night Live skits proud. However, the story’s flow is hampered by an unnecessary and completely unfunny frame that takes place during the premier of the movie the boys make of their experience. The repeated intrusions bring the narrative to a screeching halt.

Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre. (Fiction. 12-14)

Pub Date: March 1, 2014

ISBN: 978-1-4022-8455-7

Page Count: 256

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 14, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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