Deftly plotted though occasionally heavy-handed, as the boys shoulder more symbolic weight than 11-year-olds should.

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TIME ON MY HANDS

A political parable that operates on various levels, from suspense to polemic.

Originally published in the author’s native Italy in 2008, this debut novel details the events of 30 years earlier, when the Red Brigades kidnapped the leader of the Christian Democratics, committed murder and wreaked terror upon the country. Against that political backdrop (which recedes as the novel progresses), three 11-year-old boys from the Sicilian city of Palermo find their lives transformed by the inspiration of the Red Brigades and the cultural critique that its seemingly senseless violence has visited on their homeland. “I was an ideological, focused, intense little boy, a non-ironic, anti-ironic, refractory little boy—a non-little boy,” writes the narrator, who has taken the name Nimbus, in solidarity with his comrades, led by the oddly charismatic, reductively ruthless Flight. The three of them (Radius completes the trio) escalate their fantasy subversion from coded language and assumed identities into crimes with real consequences—arson, kidnapping, murder. “We must abandon identity, relinquish the ego in favor of the group,” proclaims Flight, who is also prepared to relinquish morality and basic human values for the sake of a greater good, which is never really defined, either by the three boys or by the Red Brigades they aspire to emulate. Yet, says the narrator after watching a film, “it was the epitome of 1978, its mannerisms and its poses: wandering around aimlessly while claiming to have a strategy, indulging in lachrymose self-criticism, and continually regurgitating the same tired language.” Language in the novel is variously an epidemic, a crime, a tool, a means of exile, a boundless existence. Ultimately, the precociously innocent, language-obsessed narrator must make a choice between the inchoate ideology that has given him new life and identity and a girl he barely knows: “Whenever I looked at her I felt a religion form within me, a need for tenderness—the very need that the struggle daily excluded.”

Deftly plotted though occasionally heavy-handed, as the boys shoulder more symbolic weight than 11-year-olds should.

Pub Date: April 2, 2013

ISBN: 978-0-86547-937-1

Page Count: 320

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: Jan. 16, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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