Beautifully crafted and slyly unsettling.

THE RESISTERS

Subtle dystopian fiction from the author of World and Town (2010).

It’s the not-too-distant future, and the United States has become AutoAmerica. The citizenry has been divided into the Netted and the Surplus. The job of the former is to rule, while the primary function of the latter is to consume. These are new social classes, but, as Grant, the narrator, notes, they look a lot like the old social classes. The Netted are “angelfair.” Grant is “coppertoned,” and his services as a professor are no longer needed. Eleanor, his “spy-eyed” wife, is still practicing law, though, mostly fighting on behalf of the oppressed; when the novel begins, she has just been released from prison. What's most remarkable about the worldbuilding here is that the sense of horror that suffuses so much dystopian fiction is absent. Grant’s tone is wryly matter-of-fact—perhaps because, as a dark-skinned person, he never took the freedoms and opportunities he once had for granted. And, really, the totalitarian country he describes is entirely believable. It’s not the product of a single cataclysmic event. It is, instead, the result of a million seemingly inconsequential actions, the cumulative effect of citizens giving away little pieces of their agency every time they choose convenience over autonomy. But life changes for Grant’s family when the government decides to resurrect the sport of baseball, because it happens that his daughter, Gwen, is a pitching prodigy who has spent her childhood honing her skills in an underground league. Baseball offers a way out and up for Gwen, but she’s not sure that what she would gain is more valuable than what she would have to leave behind. The juxtaposition of America’s pastime and the AI–enabled surveillance state Jen presents here is brilliant. Sports are a classic national obsession as well as an avenue to fame and success for the disenfranchised. In this sense, Gwen’s story feels familiar, and the ease with which the reader identifies with this narrative helps to make everything else about AutoAmerica seem eerily familiar, too. We recognize the world Jen creates because it is, finally, nearly identical to our own.

Beautifully crafted and slyly unsettling.

Pub Date: Feb. 4, 2020

ISBN: 978-0-525-65721-7

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Bestselling Hannah (True Colors, 2009, etc.) sabotages a worthy effort with an overly neat resolution.

WINTER GARDEN

A Russian refugee’s terrible secret overshadows her family life.

Meredith, heir apparent to her family’s thriving Washington State apple enterprises, and Nina, a globetrotting photojournalist, grew up feeling marginalized by their mother. Anya saw her daughters as merely incidental to her grateful love for their father Evan, who rescued her from a German prison camp. The girls know neither their mother’s true age, nor the answers to several other mysteries: her color-blindness, her habit of hoarding food despite the family’s prosperity and the significance of her “winter garden” with its odd Cyrillic-inscribed columns. The only thawing in Anya’s mien occurs when she relates a fairy tale about a peasant girl who meets a prince and their struggles to live happily ever after during the reign of a tyrannical Black Knight. After Evan dies, the family comes unraveled: Anya shows signs of dementia; Nina and Meredith feud over whether to move Mom from her beloved dacha-style home, named Belye Nochi after the summer “white nights” of her native Leningrad (St. Petersburg). Anya, now elderly but of preternaturally youthful appearance—her white hair has been that way as long as the girls can remember—keeps babbling about leather belts boiled for soup, furniture broken up for firewood and other oddities. Prompted by her daughters’ snooping and a few vodka-driven dinners, she grudgingly divulges her story. She is not Anya, but Vera, sole survivor of a Russian family; her father, grandmother, mother, sister, husband and two children were all lost either to Stalin’s terror or during the German army’s siege of Leningrad. Anya’s chronicle of the 900-day siege, during which more than half a million civilians perished from hunger and cold, imparts new gravitas to the novel, easily overwhelming her daughters’ more conventional “issues.” The effect, however, is all but vitiated by a manipulative and contrived ending.

Bestselling Hannah (True Colors, 2009, etc.) sabotages a worthy effort with an overly neat resolution.

Pub Date: Feb. 2, 2010

ISBN: 978-0-312-36412-0

Page Count: 400

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2009

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