A scrumptious concept but overcooked.
Picture the endless variety of foods that make up the world’s menus.
Small, labeled images of various nations’ main food products, including grains, meats, fruits, fish, vegetables, and dairy products, are scattered over 41 country maps and nearby bodies of water. Due to lack of room or perhaps poor design, popular dishes are placed outside the country’s borders, often within the landmass of an adjoining or nearby country, providing very perplexing impressions. For example, the page for Argentina shows the food products (Pampas cattle, sweet potatoes, wheat, etc.) within the Argentine border and the popular dishes (such as the dessert dulce de leche and the “national dish” of asado, “flame-grilled meat”) outside the national border. The inclusion of nonfood marine animals such as whales and dolphins is both unfortunate and confusing. The book is organized by region, and several individual countries are featured in each section. European countries predominate in this Italian import. Minimal coverage is given to the African continent, but unusually, Madagascar is included. The book could be a visual feast, but due to the sheer amount of poorly presented graphic information, it ends up a jumble. The notions of “slow food and slow fish presidiums” are inadequately explained. There is no index and no references, highly inappropriate for this informational text. Readers can browse but cannot easily find information that they may want to revisit.
A scrumptious concept but overcooked. (Nonfiction. 8-11)Pub Date: Oct. 1, 2017
ISBN: 978-1-77085-952-4
Page Count: 72
Publisher: Firefly
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Sept. 15, 2017
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning...
“Picasso was great fun to play with. He liked to romp around on the floor and have pretend bullfights. His tweed jacket was nice and scratchy. He smelled good too. He smelled of cologne and French tobacco.”
To a set of seldom-seen photos taken by his mother, Lee Miller, interspersed with both pictures of roughly hewn toys and playful art created by Picasso and a page of drawings of the titular incident by modern children, Penrose adds appreciative comments and authentically sketchy childhood memories of a renowned family friend. Taken in France and England, the photos offer glimpses of the artist in his studio or posing with young Antony, along with shots of his own children, other friends such as George Braque and artwork done in a characteristic array of media and found materials. Images of colorful works from the author’s personal collection are added as well; the author's little Noah's Ark set appears juxtaposed to a tiny Picasso piece called Mrs. Noah, for instance. The text itself adds playful notes with variations in size and weight, along with occasional wavy lines and is set on solid backgrounds of pale blues, yellows, lilacs and other pastel hues.
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning glimpse of the artist’s personality and unparalleled creative breadth. (glossary, thumbnail bios) (Memoir. 8-10)Pub Date: May 1, 2011
ISBN: 978-0-8109-9728-8
Page Count: 48
Publisher: Abrams
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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