In Greenway’s young-adult debut, a South African student learns of rough times ahead from an evil native god, but the boy has powerful spirit-friends to help him.
This tale of magic at a boarding school in no way resembles the adventures of a certain boy wizard with a lightning scar on his forehead. Tristan Jones is a modern-day South African lad enrolled at St. Michael’s, a venerable institution that’s also haunted, because of its proximity to bloody Zulu battlefields of yore. Tristan is “in tune with the supernatural” and can see paranormal entities, including the hideous shape-shifting Tnanabawana, the supreme God of Evil, who pops out of a cupboard and threatens danger in Tristan’s future. Before starting his new school term, Tristan meets a native shaman who gives the boy a friendly but formidable array of tribal spirits, ogres and elves to help him in emergencies. In loose chapters (often festooned with exclamation points), Tristan summons the entities to help deal with school bullies and a venomous snake, to win a rugby match and, finally, to help find a legendary treasure lost in the days of the Boer War, also coveted by a vengeful witch-ghost. Author Greenway, a headmaster in Randburg, South Africa, offers a helpful bibliography for the book’s offbeat mix of African folklore, demigods and nature observations; however, his story leaps straight into the action with very little background or exposition about South Africa. The straightforward exoticism is intriguing, and Blaauw’s black-and-white illustrations add to the fun, but young readers more familiar with Narnia than Johannesburg may be blindsided by the many undefined Afrikaans words (“braai,” “assegai,” “boet,” “yebo” and so on).
An atypical YA journey into South African culture, featuring rowdy, supernatural shenanigans.Pub Date: Nov. 12, 2012
ISBN: 978-1477242094
Page Count: 188
Publisher: AuthorHouse
Review Posted Online: Dec. 19, 2012
Review Program: Kirkus Indie
Categories: GENERAL THRILLER & SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.
Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?
One of those rare thrillers whose answers are even more scarifying than its mysteries.Pub Date: Nov. 10, 2020
ISBN: 978-1-64385-470-0
Page Count: 310
Publisher: Crooked Lane
Review Posted Online: Aug. 19, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Categories: GENERAL MYSTERY & DETECTIVE | SUSPENSE | SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER | GENERAL THRILLER & SUSPENSE
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A retired cop takes one last case in this stand-alone novel from the creator of the Dublin Murder Squad.
Originally from North Carolina, Cal Hooper has spent the last 30 years in Chicago. “A small place. A small town in a small country”: That’s what he’s searching for when he moves to the West of Ireland. His daughter is grown, his wife has left him, so Cal is on his own—until a kid named Trey starts hanging around. Trey’s brother is missing. Everyone believes that Brendan has run off just like his father did, but Trey thinks there’s more to the story than just another young man leaving his family behind in search of money and excitement in the city. Trey wants the police detective who just emigrated from America to find out what’s really happened to Brendan. French is deploying a well-worn trope here—in fact, she’s deploying a few. Cal is a new arrival to an insular community, and he’s about to discover that he didn’t leave crime and violence behind when he left the big city. Cal is a complex enough character, though, and it turns out that the mystery he’s trying to solve is less shocking than what he ultimately discovers. French's latest is neither fast-paced nor action-packed, and it has as much to do with Cal’s inner life as it does with finding Brendan. Much of what mystery readers are looking for in terms of action is squeezed into the last third of the novel, and the morally ambiguous ending may be unsatisfying for some. But French’s fans have surely come to expect imperfect allegiance to genre conventions, and the author does, ultimately, deliver plenty of twists, shocking revelations, and truly chilling moments.
Slow moving and richly layered.Pub Date: Oct. 6, 2020
ISBN: 978-0-73-522465-0
Page Count: 464
Publisher: Viking
Review Posted Online: July 14, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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PERSPECTIVES
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