An affecting portrayal of a troubled teen’s journey toward redemption despite a facile ending.

NO FENCES IN ALASKA

In this YA novel for older teens, a hard-partying, drug-using teenage girl in trouble asks for help from her long-estranged grandfather, who’s facing a challenge of his own.

Harper, a spirited 16-year-old girl in Texas, doesn’t remember the last time that her parents praised her or told her they loved her. Her condemnatory father, Greg, the head of an ultraconservative religious private school, has already driven her older brother away; Harper has found personal validation in flaunting her sexuality and uses heroin with her college-age, drug-dealing boyfriend. A confrontation with her father is followed by her boyfriend’s betrayal and the discovery that she’s pregnant. Desperate to escape the mess that her life has become, Harper calls her grandfather Cooper—a novelist and songwriter in Alaska whom she hasn’t seen or talked to in 10 years—and asks for refuge. Cooper’s own life is crumbling after a diagnosis of early Alzheimer’s disease, but he’s determined to give Harper the help and unconditional love that he didn’t give his own daughter, whom he lost to drug addiction years ago. Sobey (The War Blog, 2018) vividly realizes the Alaska setting, and he frankly develops themes involving families torn apart by drug use and the sexual objectification of girls and women. He also offers a strong female protagonist who finds her voice and self-respect. The novel could be read as a just-say-no cautionary tale, as Sobey offers numerous, graphic examples of drug-related tragedy and ugly dysfunction, but its upbeat outcome feels unlikely. Harper and Cooper, however, are dynamic, complex, introspective characters who find, in each other, an accepting family at last. The warmth of their relationship leads a bit too conveniently to other familial reconciliations, new and rekindled romances, and an idealized resolution of Harper’s baby dilemma, but it has a lingering resonance.

An affecting portrayal of a troubled teen’s journey toward redemption despite a facile ending.

Pub Date: June 27, 2019

ISBN: 978-1-68433-297-7

Page Count: 382

Publisher: Black Rose Writing

Review Posted Online: May 24, 2019

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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