A compulsively readable criminal biography as well as a vivid cultural snapshot of early Prohibition-era America.

TIGER GIRL AND THE CANDY KID

AMERICA’S ORIGINAL GANGSTER COUPLE

Rip-roaring account of the Jazz Age’s most-feared gangster couple.

Before infamous criminal lovebirds Bonnie and Clyde, there were Richard “Candy Kid” and Margaret (“Tiger Girl” Whittemore, whose big-city jewel heists and bank robberies made the Barrow Gang’s stickups look like candy snatching in comparison. In his latest, journalist and sportswriter Stout raises his game a notch, transitioning from quaint sports history books to this true-crime barn burner, set against the backdrop of a post–World War I America rolling in wealth and prosperity. “Bank vaults were full and brimming over,” writes the author, “and all the businesses that catered to this newfound wealth—the jewelers and furriers and night clubs and jazz joints and new car lots—were raking it in by the fistful.” Both brought up in Baltimore with virtually no economic prospects, Richard and Margaret married young and faced uncertain futures, with Richard engaging in petty thefts that saw him in and out of prison with not much to show for it. However, it wasn’t long before he began making powerful contacts in the criminal underworld and attempting more formidable crime sprees—with his wife by his side. The couple moved from Baltimore to more cosmopolitan climes like Philadelphia and New York, working within a criminal syndicate robbing banks or staging jewelry heists. As they found further success in the criminal game, they enjoyed a glamorous lifestyle of all-night parties, luxury apartments, and fast cars. However, Richard’s inevitable downfall came at the age of 25, when an informant turned him in. Stout’s fast-paced prose has a Mickey Spillane–like cadence to it that fits his subject matter perfectly. The narrative is unrelenting to the bitter end, when Richard had to confront the kind of forced early retirement that guys in his profession almost invariably faced.

A compulsively readable criminal biography as well as a vivid cultural snapshot of early Prohibition-era America.

Pub Date: March 30, 2021

ISBN: 978-0-358-06777-1

Page Count: 384

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Jan. 7, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

HAPPY-GO-LUCKY

Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.

In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.

A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

Pub Date: May 31, 2022

ISBN: 978-0-316-39245-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: March 11, 2022

Kirkus Reviews Issue: April 1, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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