Pat, underdeveloped Bible lessons that promise quick conflict resolutions.
Christians fighting against secret grievances can get help from the Scriptures and their faith, according to this debut devotional guide.
After feeling overwhelmed with her divinity studies, Saddler-Reed took a course on managing conflict. It inspired her to write a book for Christians who are battling negative thoughts and emotions regarding their faith—struggles that she says they often hide out of shame for not conforming to a steadfast or serene ideal. After the book’s acknowledgements and introduction—a sort of minitestimonial that’s also the longest section of the book—there are 25 devotions and a bibliography at the end (containing only one work, the King James Bible). The devotions describe conflicts within oneself, with others, and with God. Themes include “Conflict with Those of Like Faith,” “Impatience,” “Conflict in Marriage,” “Congregational Conflicts,” and “Bitterness.” Others are less specific, such as “Conflict in Life.” Each is short—most are two paragraphs long—and sandwiched between verses from Scripture, followed by two pages reserved for the reader: one labeled “Reflection” on which to jot down thoughts and feelings, and another labeled “Resolution.” Readers may use the “Resolution” page, Saddler-Reed says, “to see how God’s word can apply to the conflict(s) you may be experiencing in your life and what you can do to resolve these conflicts.” However, there’s no table of contents or index to help the reader find specific topics. Some conflicts are vague (“Victory in the Mist [sic] of Conflict”), and the advice is oddly terse. Saddler-Reed introduces important issues, such as discouragement from those one is trying to help, fear of aging, and how modern Christians can split hairs over religious practices, just as early Jewish and Gentile followers did. However, she rushes to reassure readers with examples from the Bible without adequately fleshing out how these verses apply to modern lives. Crucial advice regarding losing loved ones, for example, invokes Jesus without making him seem real, although Saddler-Reed constantly emphasizes a God of love.
Pat, underdeveloped Bible lessons that promise quick conflict resolutions.Pub Date: Feb. 5, 2016
ISBN: 978-1-5127-2901-6
Page Count: 88
Publisher: Westbow Press
Review Posted Online: June 2, 2016
Review Program: Kirkus Indie
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
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