A gifted Yorkshire novelist tackles his region's most famous literary family, illuminating their inner lives and the sources of their creativity. Hughes (The Rape of the Rose, 1993, etc.) lives not 20 miles from Haworth, staging ground for the Brontâs' short, tragic lives, and he ably captures the harsh natural beauty and even harsher human attitudes that informed the siblings' writings. More importantly, he sensitively delineates their thorny personalities: Charlotte, furious at the world for the injustices it visited on a poor, plain parson's daughter, prone to turning her anger on her family before she found a more fulfilling outlet writing Jane Eyre; Branwell, weak and dissipated, but possessed of a genuinely loving heart; Emily, whose mystical connection with the Yorkshire landscape left little room for human ties; and gentle, devout Anne. Their father, the Reverend Patrick Brontâ, gets a more measured treatment than some biographers have accorded him; Hughes emphasizes his pride in his daughters over the selfishness that also characterized the minister. The author hews to the known facts about this much-profiled family, though he imagines some intriguing local tales as the foundation for Emily's Wuthering Heights and speculates intelligently about the emotional wellsprings of Charlotte's novels. Sensibly, he focuses more on the siblings' intense relationships among themselves and with the divine order (questioned by all four with anguish) than on their literary achievements, which have been amply examined by generations of critics. Although Hughes paints well-rounded portraits of Charlotte and Emily, he basically reiterates the conclusions drawn by such biographers as Winnifred GÇrin; he really excels in depicting Anne and Branwell, whose death scenes are almost unbearably moving. The author evokes with fierce passion the dreadful seven months in 184849 during which consumption claimed first Branwell, then Emily, and finally Anne, almost equalling in intensity Charlotte's ghastly letters from that period. Nothing really new here, but, still, a sensitive, full-bodied rendering of the always fascinating Brontâs. (First printing of 60,000)
Pub Date: Oct. 1, 1996
ISBN: 0-312-14816-X
Page Count: 432
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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