A gifted Yorkshire novelist tackles his region's most famous literary family, illuminating their inner lives and the sources of their creativity. Hughes (The Rape of the Rose, 1993, etc.) lives not 20 miles from Haworth, staging ground for the Brontâs' short, tragic lives, and he ably captures the harsh natural beauty and even harsher human attitudes that informed the siblings' writings. More importantly, he sensitively delineates their thorny personalities: Charlotte, furious at the world for the injustices it visited on a poor, plain parson's daughter, prone to turning her anger on her family before she found a more fulfilling outlet writing Jane Eyre; Branwell, weak and dissipated, but possessed of a genuinely loving heart; Emily, whose mystical connection with the Yorkshire landscape left little room for human ties; and gentle, devout Anne. Their father, the Reverend Patrick Brontâ, gets a more measured treatment than some biographers have accorded him; Hughes emphasizes his pride in his daughters over the selfishness that also characterized the minister. The author hews to the known facts about this much-profiled family, though he imagines some intriguing local tales as the foundation for Emily's Wuthering Heights and speculates intelligently about the emotional wellsprings of Charlotte's novels. Sensibly, he focuses more on the siblings' intense relationships among themselves and with the divine order (questioned by all four with anguish) than on their literary achievements, which have been amply examined by generations of critics. Although Hughes paints well-rounded portraits of Charlotte and Emily, he basically reiterates the conclusions drawn by such biographers as Winnifred GÇrin; he really excels in depicting Anne and Branwell, whose death scenes are almost unbearably moving. The author evokes with fierce passion the dreadful seven months in 184849 during which consumption claimed first Branwell, then Emily, and finally Anne, almost equalling in intensity Charlotte's ghastly letters from that period. Nothing really new here, but, still, a sensitive, full-bodied rendering of the always fascinating Brontâs. (First printing of 60,000)
Pub Date: Oct. 1, 1996
ISBN: 0-312-14816-X
Page Count: 432
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
BOOK REVIEW
BOOK REVIEW
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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