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BRONTE

A gifted Yorkshire novelist tackles his region's most famous literary family, illuminating their inner lives and the sources of their creativity. Hughes (The Rape of the Rose, 1993, etc.) lives not 20 miles from Haworth, staging ground for the Brontâs' short, tragic lives, and he ably captures the harsh natural beauty and even harsher human attitudes that informed the siblings' writings. More importantly, he sensitively delineates their thorny personalities: Charlotte, furious at the world for the injustices it visited on a poor, plain parson's daughter, prone to turning her anger on her family before she found a more fulfilling outlet writing Jane Eyre; Branwell, weak and dissipated, but possessed of a genuinely loving heart; Emily, whose mystical connection with the Yorkshire landscape left little room for human ties; and gentle, devout Anne. Their father, the Reverend Patrick Brontâ, gets a more measured treatment than some biographers have accorded him; Hughes emphasizes his pride in his daughters over the selfishness that also characterized the minister. The author hews to the known facts about this much-profiled family, though he imagines some intriguing local tales as the foundation for Emily's Wuthering Heights and speculates intelligently about the emotional wellsprings of Charlotte's novels. Sensibly, he focuses more on the siblings' intense relationships among themselves and with the divine order (questioned by all four with anguish) than on their literary achievements, which have been amply examined by generations of critics. Although Hughes paints well-rounded portraits of Charlotte and Emily, he basically reiterates the conclusions drawn by such biographers as Winnifred GÇrin; he really excels in depicting Anne and Branwell, whose death scenes are almost unbearably moving. The author evokes with fierce passion the dreadful seven months in 184849 during which consumption claimed first Branwell, then Emily, and finally Anne, almost equalling in intensity Charlotte's ghastly letters from that period. Nothing really new here, but, still, a sensitive, full-bodied rendering of the always fascinating Brontâs. (First printing of 60,000)

Pub Date: Oct. 1, 1996

ISBN: 0-312-14816-X

Page Count: 432

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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