A clever, broad collection of short, definitive remarks about life, love, and social phenomena.

Reality (can be OK, but mostly it) Bites

A COLLECTION OF ORIGINAL APHORISMS AND OTHER PHILOSOPHICAL FRAGMENTS WITH TEETH

A collection of short sayings on a variety of topics, from intelligence and politics to wealth and happiness.

Aphorisms may be a lost art to many people, but Hutchison sees them as a form of twisted insight, marked by surprise, brevity, and philosophical depth. He begins his book with a short history of the aphoristic tradition, and insists that many popular sayings and quotes have been misattributed after passing through the decades from one thinker to the next. He then presents his own collection of brief, crystalized points and questions on a range of subjects. While some are humorous (“Where there’s a will, there’s a lawyer looking for a way”), others hinge on more serious cynicism (“When politicians talk about the ‘greater good,’ they mean good for everybody but you”). Readers who love clever sayings will enjoy the variety in this book, which includes sharp, critical views and universal wisdom. For example, one passage remarks that “[i]t’s never too late to admit you’re wrong, and always too early to insist you’re right.” Moments such as these will give readers a sense of shared dignity and humility, as they implicate not just one type of actor (lawyers or politicians) or one social construct (marriage or politics) but the human race as a whole. It’s in this way that Hutchison captures poignant thoughts that will stick with readers and offer launching points for deeper reflection—a feature of the aphorism that’s most difficult for writers to capture. Although the author does touch on marriage and dating, he does so in a somewhat sharpened, dissecting way, and he often steers away from deeply exploring romantic love. However, readers who enjoy passing along quotes to friends and family will find this collection to be fruitful for conversation and debate.

A clever, broad collection of short, definitive remarks about life, love, and social phenomena.

Pub Date: April 22, 2015

ISBN: 978-1-887043-90-8

Page Count: 166

Publisher: White River Press

Review Posted Online: April 23, 2015

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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