Nearly six decades’ worth of eloquent bile, dispensed with unmatched craft and wit.

THE COLLECTED ESSAYS OF GORE VIDAL

A splendid, savvy distillation of the best from the veteran novelist and essayist.

This lively volume’s raison d’etre is the inclusion of recent politically charged commentary, but most readers will huddle happily with its several golden oldies. For example, the included non-literary essays conclude with “Black Tuesday,” a reaction to the events of 9/11 that draws the mordant conclusion that “each month we are confronted by a new horrendous enemy at whom we must strike before he destroys us.” Fair—and true—enough, but lesser mortals have made such observations. It took a writer of Vidal’s prodigious gifts to deflate the godlike reputations of the Kennedy clan (“The Holy Family”) and America’s most ebulliently macho chief executive (“Theodore Roosevelt: An American Sissy”), and to examine tax inequity and activism during our early history (“Homage to Daniel Shays”) and the late unlamented 1970s (“The Second American Revolution”). Elsewhere, in a clutch of literary essays, Vidal honors such critically embattled contemporaries as Tennessee Williams, Edmund Wilson and the now-rediscovered Dawn Powell. He’s rougher on others, such as the purveyors of “new fiction” led by maverick innovators Pynchon and Barthes (“American Plastic: The Matter of Fiction”) and university-based scholar-critics who overexplain and obfuscate the obvious (“The Hacks of Academe”). But Vidal strolls through many arenas, offering an affectionately incisive guide to Italo Calvino’s whimsical complexity and a brilliant analysis—really, it’s almost beyond praise—of the industrious and honorable William Dean Howells, whom Vidal has the good sense to admire almost unreservedly.

Nearly six decades’ worth of eloquent bile, dispensed with unmatched craft and wit.

Pub Date: June 17, 2008

ISBN: 978-0-385-52484-1

Page Count: 480

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2008

Did you like this book?

No Comments Yet

IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Did you like this book?

No Comments Yet

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

more