by Grace Slick with Andrea Cagan ‧ RELEASE DATE: Sept. 8, 1998
Jefferson Airplane singer Slick delivers a bouncy, somewhat hectoring account of her 25-year career. Raised by comfortable WASPs in Palo Alto, Calif., Slick married young and moved to San Francisco, where she and her husband saw an early incarnation of the Jefferson Airplane perform in 1965 and figured that starting their own band, the Great Society, would be more fun than their boring day jobs. Slick soon drifted into the Airplane and out of her marriage. Her lively descriptions of the close-knit musical community revolving around Bill Graham’s Fillmore Auditorium successfully evoke both the highs and lows of the Summer of Love. Slick was never one to shrink from the highs, and she gives us a few entertaining psychedelic vignettes. Uniquely, the Airplane played all three of the pivotal rock festivals that, respectively, inaugurated an era (Monterey), defined it for posterity (Woodstock), and ignominiously ended it (Altamont). Slick cheerfully and explicitly details her sexual liaisons with all but one of her bandmates and an encounter with Jim Morrison involving a bed full of smashed strawberries. In the ’70s, Slick had a child, tried to slip acid into President Nixon’s tea, and got drunk often, finally quitting the revamped and renamed Jefferson Starship in 1978. A few years later she reenlisted, at this point the only original member; this version of Starship was a soulless commercial enterprise that commissioned its songs from top Hollywood hacks, but the aging Slick liked the —easy ride.— Since retiring several years ago, she’s been campaigning to end medical testing on animals, but coauthor Cagan (Marianne Williamson’s coauthor for A Return to Love, not reviewed) doesn—t help her explain the cause very coherently. Slick’s swaggering, unapologetic persona gets a little irritating by the end, but her progress from hippie queen to cranky rich liberal makes for a fun and emblematic trip. (4 pages color photos, not seen) (Author tour)
Pub Date: Sept. 8, 1998
ISBN: 0-446-52302-X
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by David Hajdu ; illustrated by John Carey
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