Cruel and unusual horror from Masterton (The Burning, 1991; Walkers, 1989, etc.). Be warned: Masterton's newest, about the ritualistic resurrection of the fallen angel Beli Ya'al in San Francisco, opens with what may be the single most sadistic scene in horror history. Retired cop Joe Berry and his happy family are enjoying a quiet evening when a giant in a horned mask bursts into their home, forces Joe and his wife to nail each other with railroad spikes to the floor and then their little kids to the wall, gloatingly slashes and rapes the wife, and sets the family on fire. This sadism isn't new to Masterton, who reveled in charred flesh in The Burning, but the excruciating detail here seemingly acknowledges no bounds and culminates in a soul-draining depiction of the giant mutilating the penis of a renowned psychic. All this nasty stuff is seeded into a fairly routine plot, with the giant—last remaining member of an outlaw 60's psychic cabal—performing bloody rituals to raise Beli Ya'al, source of unlimited power, and with stereotypical S.F. cop Larry Foggia assigned to track down the giant, a.k.a. the ``Fog City Satan.'' What redeems the story somewhat—aside from brisk pacing—is Masterton's genuinely inventive horror imagination, which sparks as Larry explores S.F.'s psychic underworld (and a couple of Play-Doh females) and encounters such oddities as hands that grow faces that speak; ectoplasm-eating entities that shrink a human into a husk in seconds; and, finally, Beli Ya'al himself, 12 feet of drop-dead gorgeous maniac brought back to life in a schooner long-buried beneath the city's landfill. Masterton has talent, but here it's going mainly to toxic waste.
Pub Date: Jan. 1, 1992
ISBN: 0-312-85102-2
Page Count: 320
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1991
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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