A complex international adventure that's less military hardware–centric than Clancy solo, but Blackwood uses "notional,"...
Clancy’s gone, but Blackwood (Dead or Alive, 2010, etc.) continues his international action-adventure series by dispatching Jack Ryan Jr. into espionage’s "wilderness of mirrors."
The elder Ryan is now president of the United States. The younger Ryan’s no warrior-statesman. He works instead for Hendley Associates—aka The Campus—a supposed investment group using profits to finance a civilian contractorlike CIA. In Tehran, Ryan’s scoping things out after the election of a moderate president. He meets close school friend Seth Gregory, who’s supposedly in Iran on oil business. The next morning, Ryan is informed by two shadowy characters that Seth has disappeared. He learns that Seth is CIA, and Seth’s father, Paul, was a Cold War "golden boy" of the CIA’s Intelligence Directorate. Paul was branded a traitor and committed suicide. Seth intends to use one of his father’s plans to free Dagestan from a Putin-parody Valeri Volodin, the Russian Federation president. Blackwood’s character development is drowned out by page upon page of pistol and rifle fire—and computer/cellphone phishing—from Iran to Dagestan. Settings are green-screen backdrop maps. Blackwood introduces beautiful Iranian Ysabel Kashani, who rescues (and beds!) Jack. Bad guys are rogue British agent Wellesley, willing to kill to foil Seth’s plan and maintain stability, and Russian Oleg Pechkin, who manipulates both sides under multiple names but mostly offstage. The narrative is continuous action and derring-do, with Jack relying on instantaneous satellite-phone links home to Hendley for intel, all while flying to Scotland to rescue a Dagestan leader’s daughter from kidnappers and then knocking out a "Borisoglebsk-2…specifically designed to take down satellite and GPS systems" to ensure the Dagestan democratic revolution reaches social media.
A complex international adventure that's less military hardware–centric than Clancy solo, but Blackwood uses "notional," which fans will know is homage to the maestro.Pub Date: June 16, 2015
ISBN: 978-0-399-17575-6
Page Count: 512
Publisher: Putnam
Review Posted Online: Nov. 4, 2015
BOOK REVIEW
BOOK REVIEW
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
