Ruthlessly brilliant writing brings grace to a story smoldering in pain.
A standout novel about going home, where old girlfriends, awkward funerals, deeply buried parental secrets and naked, drunken, nocturnal escapades irritate a man like scabs of his squandered youth and misspent adulthood.
When Chase returns to his hometown in the Poconos, his father has just died, his wife has left him, he lost his job as a journalist, and his sister wastes away in a mental institution. He’s grappling with addictions to sex and alcohol as well as, closer to the surface, a problem with rage, most frequently expressed with dripping sarcasm. It’s that sarcasm that gives this bleak, sometimes violent book its surprising levity. “She didn’t hate us,” Chase’s brother, Aaron, says of their absentee mother. “Maybe you’re right,” Chase responds. “Maybe what I perceived as hatred was really just a sort of repulsed loathing.” Jarrett (More Towels, 2002) seamlessly combines dark comedy with real tragedy and pathos, a hat trick comparable to that of certain movies with similar themes—Zach Braff’s Garden State, for instance, or Diablo Cody’s Young Adult. Scenes such as Chase’s encounter with a disabled former classmate or his confrontation with his new lover’s jealous husband are masterfully done: simultaneously exciting, frightening, hilarious and sad. Even a sex scene feels both authentic and erotic, an achievement that becomes even more impressive when the rhythm and language of lovemaking are repeated—disturbingly but fittingly—during, of all things, a grave-digging scene. The bold audacity of Jarrett’s writing carries the novel through its minor flaws: A few too many women populate Chase’s life, and there’s a sameness to his initial encounters with them that might start to bore readers as much as it does him. Also, some of his misadventures, cleverly written as they are, seem to stand apart from the rest of the story, introducing compelling characters and situations that then drift away from the larger narrative. But Chase remains an enthralling, completely believable character, and readers who share his sensibilities will writhe and laugh in empathy as he seeks to retie his unraveling life.
Ruthlessly brilliant writing brings grace to a story smoldering in pain.Pub Date: March 11, 2014
ISBN: 978-1940716411
Page Count: 375
Publisher: SparkPress
Review Posted Online: Feb. 5, 2014
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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