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THE WHISPERS

A realistic tale of coming to terms and coming-of-age, of friendship and loss, with a touch of magic and humor.

The Whispers know all the secrets of the universe. If they’re real, can they help Riley find Mama?

Eleven-year-old Riley’s mother has been missing for four months. The Fat Bald Detective that Riley sees weekly for questioning has made no progress in the case. Riley’s father, older brother, and grandparents don’t talk about Mama’s absence, which doesn’t help matters. Riley has begun wetting the bed, which he calls his “condition,” but there’s this “other condition” that he fears may be the reason his mother left or was taken: Riley wants to kiss boys rather than talk with his best friend, Gary, about a female classmate’s "miraculously inflated boobs." Riley is convinced the Whispers, unseen creatures from his mother’s favorite story, will accept an offering in return for his heart’s desire—his mother’s return—which drives the plot, along with Riley’s exploration of his identity as a gay preteen in the rural South. Howard places unreliable-narrator Riley at the center of his middle-grade debut. The slow reveal of what actually happened to Mama leads to a satisfying and touching conclusion, one that careful young readers may see before it arrives. Riley and his family are white; Gary is biracial (black/white); their classmates in their small South Carolina town are diverse.

A realistic tale of coming to terms and coming-of-age, of friendship and loss, with a touch of magic and humor. (Fiction. 9-14)

Pub Date: Jan. 15, 2019

ISBN: 978-0-525-51749-8

Page Count: 256

Publisher: Putnam

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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A ROVER'S STORY

The intelligences here may be (mostly) artificial, but the feelings are genuine and deep.

A Mars rover discovers that it has a heart to go with its two brains.

Warga follows her cybernetic narrator from first awareness to final resting place—and stony indeed will be any readers who remain unmoved by the journey. Though unable to ask questions of the hazmats (named for their suits) assembling it in a NASA lab, the rover, dubbed Resilience by an Ohio sixth grader, gets its first inklings of human feelings from two workers who talk to it, play it music, and write its pleasingly bug-free code. Other machines (even chatty cellphones) reject the notion that there’s any real value to emotions. But the longer those conversations go, the more human many start sounding, particularly after Res lands in Mars’ Jezero Crater and, with help from Fly, a comically excitable drone, and bossy satellite Guardian, sets off on twin missions to look for evidence of life and see if an older, silenced rover can be brought back online. Along with giving her characters, human and otherwise, distinct voices and engaging personalities, the author quietly builds solid relationships (it’s hardly a surprise when, after Fly is downed in a dust storm, Res trundles heroically to the rescue in defiance of orders) on the way to rest and joyful reunions years later. A subplot involving brown-skinned, Arabic-speaking NASA coder Rania unfolds through her daughter Sophia’s letters to Res.

The intelligences here may be (mostly) artificial, but the feelings are genuine and deep. (afterword, resources) (Science fiction. 9-13)

Pub Date: Oct. 4, 2022

ISBN: 978-0-06-311392-3

Page Count: 320

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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THE LAST EVER AFTER

From the School for Good and Evil series , Vol. 3

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...

Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.

Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)

Pub Date: July 21, 2015

ISBN: 978-0-06-210495-3

Page Count: 672

Publisher: Harper/HarperCollins

Review Posted Online: June 25, 2015

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