A colorful and engrossing thriller set in Australia and the Philippines.



A sequel chronicles the continuing adventures of two Australian intelligence officers in the postwar Pacific.

After their counterespionage duties in North Africa and subsequent work back in Australia to bring a murderous gang to justice, white officer Jamie Munro and his partner, the excellent tracker of half-Aboriginal descent Jacko O’Brien, are hoping that the remainder of their time with the Commonwealth Investigation Service will be a little quieter. Not so. When reports of a stranded ship reach them during Christmas lunch at the Hotel Darwin, the duo goes out to lend a hand. Approaching the storm-tossed ship, Jamie spots something in the waves: “As they came alongside the object, it appeared to be a small human body. They hauled the body into the cutter using a gaff and saw that it was indeed the body of a small boy.” Even more disturbingly, another child is found in the hull of the ship, this one alive but very scared. It seems that the vessel is trafficking children, though for what purpose Jamie and Jacko must investigate. The case brings them to the Philippines, where the destruction wrought by World War II has left thousands of orphans easy prey for predators and kidnappers. In their quest to find out who is buying these children, the CIS officers will probe deeper than perhaps is wise—especially when it provokes the kidnappers into taking one of their own. In this second installment of a trilogy, Kater’s (The Warramunga’s War, 2018) prose is reliably sharp and gripping, particularly when describing the devastation of the war: “They drew closer to the port area, where most of the buildings had been reduced to rubble and were covered in weeds, while those still standing were empty and badly damaged. The ground was heavily potholed and most trees seemed to have been cut to shreds.” This work feels more confident than the author’s previous Warramunga effort, and hews more closely to a traditional plot structure. The milieu is captivating and the characters are likable, which, when coupled with a perfectly serviceable crime story involving a shadowy syndicate, make for a pleasing bit of escapism.

A colorful and engrossing thriller set in Australia and the Philippines.

Pub Date: June 13, 2018

ISBN: 978-0-648-27801-6

Page Count: 310

Publisher: Zeus Publications

Review Posted Online: Dec. 24, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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