by Greg Sever ‧ RELEASE DATE: Jan. 6, 2020
An effective and amusing lottery tale.
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A massive lottery jackpot prompts the denizens of a New Mexico city to contemplate riches and greed.
In Sever’s debut novel, when a lottery’s potential payout climbs as high as $1 billion, it seems as if all the residents of Albuquerque have random chances and massive payoffs on their minds. The Rev. Jon Holiday and his wife, Grace, for instance, have differing views on the subject. Jon attempts to take a distant, philosophical, even slightly disapproving attitude, reminding his wife that greed is the root of all evil, whereas Grace never misses an opportunity to tell her husband that their strip-mall storefront church is perennially low on funds and could immensely benefit from such an astronomical injection of cash. “Every Monday morning,” when the benevolent reverend is at his desk, his wife “counts out the meager Sunday collection in an irritating whisper before depositing the money at the bank.” Lin Tanaka of the Zeniscapes landscaping company tries to take a Zen-like stance on the chance of winning. Guy Springfield wishes his accountant neighbor Nick Sterling good luck in the lottery and is sternly told that winning has nothing to do with luck: “It’s about crunching numbers and reducing the odds to zero—pure mathematics.” The author moves his intriguing story forward with economical skill, believable philosophical inquiry, and a good deal of dry humor. When a pious member of the congregation mentions that Grace is well named, for instance, she muses: “Her dear mother was flying high on magic mushrooms at Woodstock and heard Grace Slick singing ‘White Rabbit’ with Jefferson Airplane when her perfectly named daughter was conceived.” Sever also skillfully explores the characters’ yearnings. Nick is so certain he’s cracked the math of the lottery that he’s already dreaming of his post-victory fame: “In anticipation of that, he’s prepared an eight-page treatise on the Grand Sterling Algorithm for Science. Of course, he simplified the mathematics for his TED Talk which he’s confident will happen.” The book deftly builds to a climax that’s both funny and genuinely touching.
An effective and amusing lottery tale.Pub Date: Jan. 6, 2020
ISBN: N/A
Page Count: 294
Publisher: Burning Leaf Press
Review Posted Online: Feb. 19, 2020
Kirkus Reviews Issue: May 1, 2020
Review Program: Kirkus Indie
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by Claire Lombardo ‧ RELEASE DATE: June 25, 2019
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
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More About This Book
SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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