A pleasing, well-judged blend of genres with a good resolution.

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GOLDILOCKS, PRIVATE EYE

In this middle-grade chapter book, private detective Goldilocks takes the case of a man whose missing grandparents have been replaced by bears.

After her father dies, 10-year-old Goldilocks inherits the family business: a private detective agency, which she runs with her cat, Charlotte, in the town of Lick Skillet. Money is tight, the rent is overdue, and she must do her best to avoid the wild-haired Tom the Kid-Snatcher, who rounds up kids without parents for the local orphanage. (He even occasionally kidnaps children who aren’t orphans: “He was that kind of kid-snatcher.”) Goldilocks advertises her detecting services, and her first client is a man named Frank Sims who wants her to find his missing grandparents—and figure out why bears are now living in their house. She’s glad to take the case, but her client’s grandparents live in the nearby Black Forest, which is notoriously full of scary creatures, and she’ll have to pass near the orphanage, besides. In order to avoid some dangers, including Tom, Goldilocks leaves the safe forest path; luckily, she meets Patty, an orphanage escapee who lives in the forest. The girls become friends and partners, solving the mystery and alerting authorities to the orphans’ mistreatment. Trine (Willy Maykit in Space, 2015, etc.) skillfully mixes fairy tales and detective fiction with a coming-of-age story about braving danger to prove oneself. Such elements could easily become rather dark, and Trine does touch on serious issues (including Goldilocks’ money problems), but moments of humor help to lighten the story. For example, Tom’s horse-drawn jail, the Patty Wagon, is named after his most recent captive: “With any luck he’d soon change the name to the Goldie Wagon.” The girl-power message is also appealing. Baykovska (The Nasty Princess, 2018, etc.) provides lighthearted, cartoonish black-and-white pencil illustrations for each chapter head; these offer nice details, such as the fact that Tom bears some resemblance to Struwwelpeter, a character from a well-known 1845 children’s book.

A pleasing, well-judged blend of genres with a good resolution.

Pub Date: Aug. 31, 2019

ISBN: 978-1-73395-892-9

Page Count: 114

Publisher: Time Tunnel Media

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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