With his digital-age The Avenger, Hurwitz races by minor plot holes and spins a web of relentless intrigue with bursts of...
Kicking off a new series, Hurwitz (Don’t Look Back, 2014, etc.) sets young Evan Smoak, a one-time government assassin, to work as a pro bono equalizer—one call brings a criminal to justice.
The 9/11 terror attacks made major bad guys targets for undercover termination, and so a darker-than-black government agency created the Orphan Program. That group trained throwaway kids as the world’s most efficient assassins "for solo, offline covert operations." Then "drones changed everything," and the Orphans were left in limbo. Orphan X, Evan, decided to freelance, his impetus being his belief that his Orphan mentor (and substitute father), Jack Johns, was murdered. Soon, a Hezbollah arms chief, a dealer in fissile material, and a serial rapist receive Evan’s justice. All it takes is a quick call to his victim’s hotline, 1-855-2NOWHERE. Evan’s back story arrives in short, scene-style chapters. The primary narrative follows Evan as he takes on new projects. His lair is a luxury Los Angeles condo, the atmosphere set by neighboring busybodies, where he has a secret vault with Google-level technology. Hurwitz offers a glimpse of Evan’s modus operandi as the assassin eliminates a dirty cop coercing an immigrant teen into prostitution. Then the tale spins down into double crosses and duplicities as Evan becomes a target and other former Orphans enter the fray. High-tech gadgetry abounds—microscopic internal GPS transmitters, a "fully pixelated contact lens" for digital communication—but Evan is old school too, mastering esoteric Filipino, Japanese, and Indonesian martial arts. Hurwitz closes with an unexpected narrative left turn, but even though he’s painted Evan adequately, including vague hints of possible romance with neighbor Mia, a widowed single mother, Evan will need another adventure or two before he grows into an empathetic hero.
With his digital-age The Avenger, Hurwitz races by minor plot holes and spins a web of relentless intrigue with bursts of tensely sketched violence.Pub Date: Jan. 19, 2016
ISBN: 978-1-250-06784-5
Page Count: 368
Publisher: Minotaur
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
