by Grégoire Solotareff ; illustrated by Grégoire Solotareff ; translated by Claudine Mersereau ‧ RELEASE DATE: Sept. 15, 2017
A surprising treat with a cackle on every page, this is a perfect book for Halloween or any day ending in Y.
French artist and author Solotareff provides readers of most ages with an alphabetical guide to identifying, understanding, and avoiding the witch community.
This dictionary—more like encyclopedia—of information relating to witches covers such important topics as a witch’s favorite colors (“violet-ish, yellowish, olive-ish,…gloomy, pigeon throat, crimson”), the utter normalcy of witches’ brooms, and the side effects of green saliva. Every definition includes a perfectly apropos illustration, each one a crude hilarity. Some of the information is clear and straightforward: “Witches don’t have babies. Happily!” Other entries are trickier to parse but no less satisfying to mull over. For example, the page labeled “BABIES” states only that “Bats are mice that sometimes fly and from which witches have taken the fur to glue onto the heads of babies who were born bald. (See ‘Hair’).” Pure silliness is balanced with occasional nuggets of wisdom, and mild gross-out humor lives comfortably alongside poetic, intriguing prose. Some adults might balk at children reading words such as “stupid” or the one usage of “hell,” and others might wonder why a dictionary would neglect the letters J, Q, V, and Z. But those who would deny themselves the pleasure of this funny, strange, charming book are missing out.
A surprising treat with a cackle on every page, this is a perfect book for Halloween or any day ending in Y. (Picture book. 6-adult)Pub Date: Sept. 15, 2017
ISBN: 978-1-77085-995-1
Page Count: 192
Publisher: Firefly
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Adam Lehrhaupt ; illustrated by Magali Le Huche ‧ RELEASE DATE: Sept. 12, 2017
Best for readers who have clearly indicated they would like to take their writing efforts to the next level.
A young white girl writes and illustrates a story, which is critiqued by the narrator as it is created.
The girl begins her story by drawing a Hero. Then she thinks maybe a Heroine would be better. Then she decides both will work. She places them in “a good town, filled with good people, called our Setting.” The narrator, an unseen editor who lurks over the artist’s shoulder, tells the storyteller she needs to put in some Conflict, make the Evil Overlord scarier, and give it better action. This tongue-in-cheek way of delivering the rules of creative writing is clever, and paired with Le Huche’s earnest, childlike illustrations, it seems to be aimed at giving helpful direction to aspiring young creators (although the illustrations are not critiqued). But the question needs to be asked: do very young writers really need to know the rules of writing as determined by adults? While the story appears to be about helping young readers learn writing—there is “A Friendly List of Words Used in this Book” at the end with such words as “protagonist” and “antagonist” (glossed as “Hero and Heroine” and “Evil Overlord,” respectively)—it also has a decidedly unhelpful whiff of judgment. Rules, the text seems to say, must be followed for the story to be a Good one. Ouch.
Best for readers who have clearly indicated they would like to take their writing efforts to the next level. (Picture book. 6-10)Pub Date: Sept. 12, 2017
ISBN: 978-1-4814-2935-1
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Josh Funk ; illustrated by Edwardian Taylor ‧ RELEASE DATE: Oct. 25, 2022
Will leave readers as happy as a pig in mud.
It’s good to embrace change.
Although an unseen narrator attempts to tell an accustomed version of “The Three Little Pigs”—here named Alan, Alfred, and Alvin Albert—their younger sister, Alison, wants to get in on the action because she’s a natural storyteller. The narrator grudgingly allows Alison to tag along, but her added bits of flavor and the unexpected personalities of her brothers soon send the story off its traditional tracks and into hilarious hijinks. For example, Alan’s love of building allows him to design a functional house made of plastic drinking straws, Alfred’s stick house is actually constructed by Alan because Alfred’s clearly a star and not stage crew, and Alvin’s shacking up in a pumpkin behind Cinderella’s castle because he’s…not the crispiest piece of bacon on the plate. Alison’s quick thinking leads the brothers to be one step ahead of the wandering wolf. When the narrator hits their limit, a conversation with Alison proves that collaboration can lead to unexpected but wonderful results. The story flows well, accompanied by energetic cartoon art, and the choice to color-code the speech bubbles of each character (and the text of the narrator vs. Alison) ensures readers will be able to follow the snappy dialogue. Those who love to make up their own stories will be inspired, and readers who march to the beats of their own drums will be delighted. (This book was reviewed digitally.)
Will leave readers as happy as a pig in mud. (Picture book. 6-10)Pub Date: Oct. 25, 2022
ISBN: 978-1-5420-3243-8
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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