by Gregory J.E. Rawlins ‧ RELEASE DATE: Sept. 1, 1996
In eight essays, Rawlins (Mathematics/Indiana Univ.) speculates on the exciting, scary new world computers are bringing us. In some areas, such as military technology, Rawlins does not expand much on Howard Rheingold's study Virtual Reality (1991). And so much is written these days about the Internet that nothing Rawlins says, startling as it might have been even a year ago, seems surprising today. Rawlins's comments on book publishing, however, offer a fascinating scenario for the next 10 or 20 years. It is now cheaper to produce a book electronically than to print it, and publishers, Rawlins suggests, will soon offer inexpensive subscriptions to their lists of upcoming books, in much the way that the cable TV industry works. Many publishers will resist, as movie producers resisted video, but then will find that they cannot exist without electronic books. All that is needed to set this chain of events in motion is a cheap, user-friendly electronic reader. Rawlins is also insightful on the economics of computers: The frighteningly short cycle of invention and obsolescence, and the manner in which software climbs up the organizational charts, performing ever more complicated and vital functions, eliminating not just typists but executives, too. Careers will turn over and over, and few of us, he suggests, will know with any certainty what the rapidly evolving machines are doing. Rawlins also touches on the most vexing problem of all: the poor. Knowledge, expressed by technology, is power. The numbers of those left out of this equation are growing exponentially. Will the economic benefits of the computer ever trickle downward? Is there any way to avoid the creation of an increasingly small elite controlling access to many of technology's most important uses? Does utopia lie ahead—or endless poverty and war? Such questions have no answers, but Rawlins asks them brilliantly.
Pub Date: Sept. 1, 1996
ISBN: 0-262-18176-2
Page Count: 187
Publisher: MIT Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by David Hajdu ; illustrated by John Carey
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by John Carey
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by John Carey
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