An information-heavy book that provides a wonderful resource for those interested in learning about the rise of gay poetics...
A comprehensive anthropological survey exploring the ways in which the gay community has changed the world.
In 1895, Oscar Wilde set a precedent that would change the lives of homosexual men all over Europe—and, eventually, the world. Accused of having same-sex relations, he was prosecuted and sent to jail. Most men accused of homosexual acts would have denied the fact, but Wilde did not. This choice set an example that defined new terms for the inner life of the artist, the aesthete, and, more importantly, the European gay man. It spurred the rise of the modernist sensibilities and underground communities in Paris and Berlin. The universal appeal of the Wilde case also led to conspiracy theories about homosexuals. As Woods (Emeritus, Gay and Lesbian Studies/Nottingham Trent Univ.; The Myth of the Last Taboo: Queer Subcultural Studies, 2015, etc.) explains, “to speak of homosexual internationalism was…to conjure up the threat of subversive conspiracy. In this case, however, the Homintern was understood to be conspiring against the Comintern, rather than in league with it.” This conspiracy, however irrational it may seem, fueled the decadence of the 1920s and ’30s and allowed homosexual men to travel from Russia to Paris and from Paris to Berlin to Capri and beyond. As a result, artists and writers formulated a new, cross-cultural art practice: “Values previously taken for granted were deliberately being subverted; rules of perspective and harmony, even of logic, were deliberately being flouted; standards of decency and good taste were deliberately being violated.” Woods delivers a well-researched, compelling study of how countless gay men have affected, influenced, and restructured the cultural climate for more than 100 years. He also addresses diversity and remains objective, all the while slipping in some personal opinions about political climates across the generations.
An information-heavy book that provides a wonderful resource for those interested in learning about the rise of gay poetics at the onset of the 20th century.Pub Date: May 3, 2016
ISBN: 978-0-300-21803-9
Page Count: 432
Publisher: Yale Univ.
Review Posted Online: Feb. 29, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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