A solid addition to the canon.
Move over, Thomas Paine! Revolutionary War writer and activist finds fame! First biography for young readers published!
Mercy Otis of colonial Massachusetts did not attend college but studied at home with her father’s encouragement. After her marriage to James Warren, she began writing and joined the political discussions about breaking ties with Great Britain that were held in her home. As open rebellion grew closer, she wrote political plays, albeit unsigned. When fighting broke out, Warren began an ambitious project—a history of the American Revolution, concentrating on “radical thoughts and bold actions.” It was published in 1805 under her name. Woelfle’s lively and informative style keeps the narrative flowing. Wallner’s gouache paintings are colorful and spirited, with a good mix of full-page scenes and close-ups of prominent figures. In a nice touch, Mercy Otis Warren's Copley portrait hanging in the Boston Museum of Fine Arts is reproduced. Decorative inserts excerpt her writings and those of her father and her husband. It is usually Abigail Adams who gets the nod whenever women of colonial and revolutionary-era America are mentioned, so this title certainly fills a niche.
A solid addition to the canon. (author’s note, timeline, bibliography, websites) (Picture book/biography. 6-10)Pub Date: March 1, 2012
ISBN: 978-1-59078-822-6
Page Count: 40
Publisher: Calkins Creek/Boyds Mills
Review Posted Online: Feb. 28, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
BOOK REVIEW
Entirely inappropriate for children.
Aimed less at children and more at Southern sympathizers, this alphabet book is an ill-conceived paean to the Confederacy.
Each letter of the alphabet is accompanied by an illustration and a short, often limping verse, most of which feature people and events that will be unfamiliar to today’s young readers (not to mention the general adult population, Civil War buffs notwithstanding). Unfortunately, the text lacks explanatory notes to give these items context and fails to provide an overarching narrative of the polemical version of the Civil War story it seems to take for granted. Take F, for example: “F is for the flags / Of the old Confederacy; / And for Nathan Bedford Forrest / A devil to every Yankee!” No further description of Forrest or his role in the war is forthcoming. Further, the narrator’s intense identification with the Confederate cause comes through clearly when he uses the first person (“D is for bright ‘Dixie,’ / A song we love to hear”) and in verses such as, “Y is for the Yankees, / The enemy in blue, / Invading beloved Dixie / To conquer and subdue.” Slavery is not mentioned in the text, yet the illustrations feature white and black soldiers fighting side by side for the Confederacy as well as a black woman comforting a white child as flames rage in the background. Absent historical context and competing perspectives, this far-from-center picture book lacks educational or entertainment value and is little more than propaganda designed to perpetuate “the South will rise again” mentality.
Entirely inappropriate for children. (song lyrics, timeline) (Nonfiction. 6-10)Pub Date: Sept. 15, 2011
ISBN: 978-1-58980-760-0
Page Count: 32
Publisher: Pelican
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
BOOK REVIEW
BOOK REVIEW
A lighthearted recap of some of our oldest tales.
For her latest cartoon foray into ancient cultures, Williams concocts a brisk dash through Egyptian myth and history.
Drawing figures in traditional Egyptian style but with a more natural range of expressions and gestures, she constructs flat-planed scenes that range from small sequential strips to full-page images and even larger ones on double gatefolds. Her nine episodes begin with a creation myth, end with Cleopatra’s death and in between introduce a select set of major gods and Pharaohs. Large and small, each picture is decked with strings of hieroglyphic-like signs for atmosphere as well as side comments in dialogue balloons to go with the short, legible captions. Though she freely mixes legend and fact without distinguishing one from the other in the main going, a smaller strip running below provides a cat’s-eye view of the subject. The patterns of Egyptian daily life (“Cats are Egypt’s greatest wonder, followed by the river Nile”), how mummies were made (“Yes, we do cats, too!”), early technological advances and general cultural values receive tongue-in-cheek glosses. The colorful, briefly told stories provide nothing like a systematic overview but are easily enjoyed for themselves, and they may well leave young readers with a hankering to find out more about Isis and Horus, Zoser, Hatshepsut, Tutankhamen and the rest.
A lighthearted recap of some of our oldest tales. (map) (Picture book/folklore. 7-10)Pub Date: Sept. 1, 2011
ISBN: 978-0-7636-5308-8
Page Count: 48
Publisher: Candlewick
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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