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Cleansed

From the The True Tree Chronicles series , Vol. 1

This vivid and gripping supernatural tale about a daring fighter grows more somber and complex as it builds.

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A fantasy novel focuses on a young warrior caught up in an epic clash of bloodthirsty ancient gods.

The latest book from Scott (Sorrow’s Heart, 2016), the first in a projected series, begins in the cramped, squalid, violent slum called the Slaag in the city of Tuilar in a land ruled by and terrorized by the Lord of Chaos and his mortal minions. This dark god visits localized chaos-storms at random on the ordinary people of this world. They have to contend not only with the tempests, but also with grunkins, the fearsome creatures who spawn in the storms’ aftermath. These high-fantasy dangers are distant from the desperate, hand-to-mouth existence of young Dirge and his mother, who are trying to eke out a living in the Slaag. But when Dirge finds his mother dead in an alley one night, his childhood abruptly ends (after that, readers are told: “He didn’t laugh. He didn’t cry. He simply didn’t care anymore”). A kindly tavern owner named Katlyn takes him in, and he comes under the tutelage of one of her bouncers, Talic Sern, who soon reveals himself to be far more than mere hired muscle. He’s a member of the Brotherhood of Assassins, which serves the death god Aza’zel by carrying out divinely sanctioned murder contracts. With Talic’s help, Dirge grows into a young man skilled in the ways of combat, but despite the bonds of friendship between his teachers and himself, he feels ill at ease. Increasingly, he becomes drawn to the service of another supernatural being, the old, forgotten god Ukase. When Dirge breaks with the Brotherhood and strikes out on his own, Scott effectively broadens the previously narrow setting of his story as he follows his up-from-nothing main character into various military adventures in a world being torn apart by warring deities. On this new path, the novel’s dynamic hero faces difficult choices, including whether to lead Ukase’s warriors (“His whole life, Dirge had only dreamt of being a part of something.…It was why leaving the Brotherhood was so torturous. He’d never thought—never wanted—to lead anyone”). Fans of John Marco and R. Scott Bakker should gladly welcome a first-rate author to their ranks—and should be happy to see the words “to be continued” at the close of this book.

This vivid and gripping supernatural tale about a daring fighter grows more somber and complex as it builds.

Pub Date: July 18, 2016

ISBN: 978-0-692-67812-1

Page Count: 360

Publisher: Blue Deco Publishing

Review Posted Online: Sept. 8, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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