Disability as vehicle, with bonus self-deprivation.
A girl whose skin can’t tolerate sunlight finds a magical ice world.
Twelve-year-old Jess’ skin burns from exposure to sunlight. Transfers between her house (blinds drawn) and Mum’s car (tinted windows) require goggles, gloves, and “Full Hat”: “a long white hood that masked the whole of Jess’s face and neck.” Tired of her cramped, constricted life full of hospital visits and empty of friends (the complete friendlessness feels narratively contrived), Jess sneaks out at night—and steps from her muggy town into a frigid magical landscape. Everything’s made of ice, including Owen, a boy her age. Jess returns night after night to run free under the sunless, “mottled twilit heaven.” For a while, it seems safe. Owen shares key traits with Davey, an unconscious, hospitalized boy to whom Jess reads her stories when she’s at the hospital. The Owen-Davey connection is gently mystical throughout. Less gentle is a knot the text ties around Jess, involving brutal self-sacrifice and a magical cure for her unnamed condition. She gets agency, sort of, but the narrative sets her up: She faces a devastating final choice that isn’t free at all and that’s built on troubling gender and disability frameworks. Jess, Owen, and Davey are white; Middle Easterners and Indigenous people are used in Jess’ stories as supposedly exotic flavor, while Africa is mentioned as a place with animals.
Disability as vehicle, with bonus self-deprivation. (Fantasy. 8-12)Pub Date: Feb. 26, 2019
ISBN: 978-1-338-28533-8
Page Count: 272
Publisher: Chicken House/Scholastic
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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