HALI

Desani, born in Kenya, educated in India and currently a professor at the University of Texas, offers his first book in some 40 years: 23 stories and fables, along with a dramatic prose poem, that range from bleakness to ironic comedy and from supernatural tales to highly mannered satires. The prose poem—which tells the story of ``Hali,'' who loves Rooh, whose death plunges Hali into grief and a mystical journey— is most noteworthy as an example of private mythology turned into accessible invocation. The supernatural element in many of the other fictions is strong: ``The Valley of Lions,'' for example, is short and visionary; ``Mephisto's Daughter'' concerns a narrator who has access to ``Old Ugly's daughter''; and ``The Lama Arupa'' follows the holy man of the title through ``several states of consciousness'' after his death until he returns as a chicken. ``The Merchant of Kisingarh'' is told by a deceased merchant speaking through his son, a sometime medium. These pieces manage to be both wry and penetrating by turns, while ``The Last Long Letter''—an epistolary tale about a daughter sent away to meet her future groom, a boy who turns out to be visionary—is consistently bittersweet. ``A Border Incident,'' more traditional, tells of a man punished (mildly) for deserting his post to save a boy's life. Desani also offers a mock lecture (``Rudyard Kipling's Evaluation of His Own Mother'') on one of Kipling's more ludicrous compositions, and he closes with the phantasmagoric ``The Mandatory Interview of the Dean''—a madcap satire of bureaucracy and officiousness offered up in a style that is rich and frothily indulgent. A varied collection, impressive in its use of religious and personal mythology—and lushly descriptive of a sensibility and a culture that is part English, part Indian, and uniquely Desani's own.