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GRANDMAMA'S WORLD

Some kids may enjoy the mishmash of loud photos and unremarkable storytelling, but parents will want to sidestep this...

An unfortunate mix of jarringly jumbled artwork, tepid text and general overstimulation, this visit to "Grandmama" feels at times like it will never end.

Attempts at whimsy in this celebration of the best place in the world—Grandmama's home—are forced to the point of causing eyestrain. Each page is a cluttered collection of photo-collaged images creating tableaux that are at times as nightmarish as they are imaginative. On one page, colorful birds fly around a rock sculpture in a Technicolor desert where Grandmama lives, while a kangaroo pushes a stroller and a child appears to be fleeing in terror. The most interesting visual effect is that the surface of the busy collages can be moved with the finger to create a tilting 3-D effect, making all the people, animals and objects on the screen appear to exist on multiple planes. But the "wow" factor of that admittedly neat feature subsides as it's paired with such lackluster couplets as, "We paint pictures and then later / Hang them on her fridgerator." The text is tiny (even when set at the largest font size available) and appears in a giant, ugly white strip along the bottom of every page. Though one little boy narrates the story throughout, the photos of people appear to be of different families and different Grandmamas, adding to the garish chaos. 

Some kids may enjoy the mishmash of loud photos and unremarkable storytelling, but parents will want to sidestep this unpleasant app. (iPad storybook app. 3-7)

Pub Date: May 17, 2012

ISBN: N/A

Page Count: -

Publisher: NeeNee Holdings

Review Posted Online: June 26, 2012

Kirkus Reviews Issue: July 15, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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A LIBRARY

A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.

A love letter to libraries.

A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)

A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)

Pub Date: Sept. 27, 2022

ISBN: 978-0-358-38765-7

Page Count: 32

Publisher: Versify/HarperCollins

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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