WILLIAM AND THE LOST SPIRIT

A sprawling, richly imagined medieval adventure follows a young boy’s quest to find his father’s missing spirit.

Young William’s life has not been simple: His father is presumed dead, his sister is missing, and his mother has remarried a new man with questionable motives. Filled with a pressing belief that his sister and father need his help, he sets off in search of them. Along the way, he is aided by a cunning troubadour, a strange knight and a helpful goat who harbors a mysterious secret. Traveling far-off lands, William and his entourage encounter strange monsters and seemingly endless challenges, faithfully pressing on in the face of adversity. This journey, however, has an unseen twist, and William learns that the world he’s known—and the people within it—are not easily categorized. This epic, detailed journey moves swiftly, punctuated by largely wordless and often glaringly bloody action scenes. The attention to detail is meticulous, and helpful notes explain some of the more esoteric terms and references sprinkled throughout the narrative. Like many other adventure tales, this examines questions of good and evil, but in William’s world, lines aren’t so clearly drawn, leaving for an open-ended conclusion.

An interesting, distinctive adventure for readers tolerant of ambiguity. (notes, discussions) (Graphic fantasy/adventure. 13 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4677-0807-4

Page Count: 160

Publisher: Graphic Universe

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: March 1, 2013

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

THE WAY I USED TO BE

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 16, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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