A lovely multicultural story about a young friendship, celebrating culture and differences.
A childhood friendship and cultural acceptance are at the center of this authentic, special story.
In alternating first-person narration, Annie and Maya take turns describing their weekends: They play video games inside and in the backyard of Annie’s big home; in Maya’s little house, they help with the garden and play with her two dogs. When in Annie’s home, Maya is introduced to different foods: noodles, dumplings, and gai lan. At Maya’s place, Annie enjoys tamales, tacos, and pozole. The two celebrate a posada with Maya’s mother and Lunar New Year with Annie’s dad. Sometimes the girls fight, but they always make up. One Sunday, both families eat together, and the girls learn that their parents, Annie’s dad and Maya’s mom, are getting married. Muraida’s colorful, vibrant illustrations pay special, subtle tribute to the girls’ Latin American and Vietnamese backgrounds; spreads of the girls at their respective homes display culturally appropriate décor and patterns. Most strikingly, perhaps, two spreads depict the families sharing in each other’s religious and cultural celebrations: One displays a candlelit evening parade and children striking a piñata, while the other depicts another vivid parade following red lanterns and an undulating, festive paper dragon. Each page incorporates bilingual text for both English and Spanish readers.
A lovely multicultural story about a young friendship, celebrating culture and differences. (Bilingual picture book. 3-7)Pub Date: May 31, 2018
ISBN: 978-1-55885-859-6
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A syrupy tribute to mothers that may please fans of the series.
Another creature is on the loose.
The long-running series continues its successful formula with this Hallmark card of a book, which features bright illustrations and catchy rhymes. This time, the mythical creature the racially diverse children set out to catch is an absent mom who does it all (lists of descriptors include the words banker, caregiver, nurse, doctor, driver, chef, housekeeper, teacher, entertainer, playmate, laundry service, problem solver, handywoman, cleaner, and alarm clock) but doesn’t seem to have a job outside the home and is inexplicably a dinosaur. As the children prepare gifts and a meal for her, the text becomes an ode to the skills the Mamasaurus possesses (“Day or night she’s always there. / She meets every wish and need”) and values she instills (“Sometimes life can mean hard work,” “kindness matters,” and “what counts is doing your best”). This well-intentioned selection veers into cliche generously sprinkled with saccharine but manages to redeem itself with its appreciation for mothers and all that they may do. Endpapers include a “to” and “from” page framed in a heart, as well as a page where young gift givers or recipients can draw a picture of their Mamasaurus.
A syrupy tribute to mothers that may please fans of the series. (Picture book. 3-6)Pub Date: March 5, 2024
ISBN: 9781728274300
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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