Despite lackluster dialogue, this book expertly manages a sci-fi conceit that is as bizarre as it is ultimately plausible.
Scientists using suspicious technology may be seeking to trigger an apocalypse in this novel from debut author Ormziar.
A theologian named Hast wakes up in 2060 from a striking nightmare. Having envisioned a day of judgment for mankind, he cannot easily shake the images. As he comments to his wife, “Doomsday is perhaps on its way” after all. A week ago, “he had read a news article where scientists were warning people that a deadly meteor was heading toward earth, and it was set to hit it by 2068.” Days after his dream, Hast is contacted by Interpol agent Mark Robinson. Working on a tip that “someone was trying to play the role of God and was planning to control everyone’s mind,” Mark finds himself examining a large scientific project called The New ARK. TNARK, as the endeavor is known, is ostensibly engaged in the process of using “genetic engineering to modify human genes in order to create a super organism.” There are, however, suspicions that something much more sinister is at play. When, during Mark’s investigation into mind control, he comes across Hast’s writings on the subject as well as his work on end-of-days prophecies, Mark realizes that he might be looking for the Antichrist. So begins an unlikely alliance that seeks to thwart a scientific attempt at world domination. Making use of “3D bio-printing technology” and other near-future (and present-day) advancements, the scenario delivers its share of wild, albeit not too wild, ideas. The result is an overall eeriness that would not exist in a more fantastical premise. Dialogue tends to be obvious, as when Mark first meets Hast and informs him that he seems to “have an impressive knowledge about the history of religions, especially Abrahamic faiths.” Nevertheless, at under 300 pages, the book moves quickly and encompasses topics ranging from the duality of Zoroastrianism to “blue light brain control.” As strange as such a convergence may initially seem, it results in an ambitious narrative that never lacks in fatalistic intrigue.
Despite lackluster dialogue, this book expertly manages a sci-fi conceit that is as bizarre as it is ultimately plausible.Pub Date: Nov. 23, 2015
ISBN: 978-1-5172-2388-5
Page Count: 276
Publisher: CreateSpace
Review Posted Online: Jan. 19, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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