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Forty Bibles and Forty Dictionaries

Winding tale of a dysfunctional family that eventually addresses the somewhat famous disturbance and its aftermath.

Dedicated to her “irascible parents” from Korea, Kang’s debut memoir examines her childhood in Australia.

The author is the sister of David Kang, an Australian lawyer who, in 1994, fired blanks at Prince Charles in protest of the treatment of Cambodians in detention. Writing may have been cathartic, but Kang’s view of Brother, as she calls him, seems a mix of anger, animosity and admiration that he took a stand on principle. Inferences could be made about the deleterious effects of a dysfunctional family and Kang’s purported mental illness, but the circumstances of “the affray” are a long time coming. Though the story isn’t always told in chronological order, it is, on occasion, true to topic, as in Chapter 20, “Jackaling,” which delves into the paranormal. Some recollections are extremely brief: For instance, in one short recollection, the author describes watching her father develop photos. Perhaps not surprisingly, the parents, particularly “Mother,” are portrayed as incubators of trouble. An attractive young woman, Mother was fixated on marrying Father despite his disinterest and a warning from a Chinese astrologer. Soon, Father realized he had made a mistake, but due to pregnancy—Mother was carrying the author—the two remained together, providing an emotionally unstable home life in which intellectual expression was encouraged. Disparate vignettes, including a tale of mice invading their home, illustrate family dynamics but significantly delay what purports to be the main event, the incident with Prince Charles. The story becomes more focused in later chapters, in which Brother engages in various unsavory activities without adequate reprimand or reprisal, including writing letters to the editor that he attributes to unsuspecting family members. The dominant presence of Mother pervades. Her vicious verbal attacks, particularly on Father, were relentless and embarrassing. Eventually, the narrative takes a political turn, touching on racism and discrimination, and the author emerges as a wounded, alienated woman of intelligence and insight. There are periodic asides about members of the royal family, and the disjointed book ends, curiously, with recipes for Korean dishes. A fractured childhood may indeed yield a fractured memoir.

Winding tale of a dysfunctional family that eventually addresses the somewhat famous disturbance and its aftermath.

Pub Date: March 1, 2014

ISBN: 978-1922238016

Page Count: 301

Publisher: Horizon Publishing Group

Review Posted Online: Jan. 27, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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