A powerful, beautiful horror story.
The intersection of two women falling in love, a newly born entity, and a corrupt big pharma company set the stage for this horror story.
Decades ago, AlphaBeta Pharmaceutical unleashed a virus on the world that affected thousands. The children of those infected are chimera—they contain the DNA of two or more individuals—and they’re closely monitored by the corporation during mandatory monthly checkups. So when chimera Yolanda “Yaya” Betancourt wakes up one day after a sex romp with a woman named Docia “Doc” Hall, an AlphaBeta Pharmaceutical agent, and discovers teeth between her thighs, she thinks the vagina dentata is nothing to worry about and probably related to her medical history. But the teeth are only the start; they’re followed by horns and tentacles that spring out of Yaya’s vagina in a slow metamorphosis that turns her into something else altogether, something that shares a mind with an inner being called Magenta whose cravings for peanut butter (and other forms of protein) take Yaya to strange places. Meanwhile, Doc experiences a transformation of her own. Her encounters with Yaya (and Magenta) lead her to complete the journey whose early beginnings date back to years before, when a tragic encounter with a different chimera led to a bad ending. But when ABP discovers Magenta’s existence, they will stop at nothing to take possession of Yaya and Magenta—and Doc stands in the middle. Piper’s evocative novel is an intoxicating mix of graphic body horror and lesbian romance. Painful questions regarding corporate accountability, personal redemption and forgiveness, mental health, and the nature of love revolve around the novel’s three fascinating main characters, Yaya, Doc, and Magenta. The elusive worldbuilding—When is the story set exactly? Is it on an alternate Earth in an alternate timeline?—serves the story well, heightening its menacing tone.
A powerful, beautiful horror story.Pub Date: Aug. 1, 2021
ISBN: N/A
Page Count: 198
Publisher: Strangehouse Books
Review Posted Online: May 25, 2021
Kirkus Reviews Issue: July 15, 2021
Review Program: Kirkus Indie
PERSPECTIVES
As an adjunct member says, “You’re not a family, you’re a force.” Exactly, though not in the way you’d expect.
The ne’er-do-well son of a successful Irish American family gets dragged into criminal complications that suggest the rest of the Devlins aren’t exactly the upstanding citizens they appear.
The first 35 years in the life of Thomas “TJ” Devlin have been one disappointment after another to his parents, lawyers who founded a prosperous insurance and reinsurance firm, and his more successful siblings, John and Gabby. A longtime alcoholic who’s been unemployable ever since he did time for an incident involving his ex-girlfriend Carrie’s then 2-year-old daughter, TJ is nominally an investigator for Devlin & Devlin, but everyone knows the post is a sinecure. Things change dramatically when golden-boy John tells TJ that he just killed Neil Lemaire, an accountant for D&D client Runstan Electronics. Their speedy return to the murder scene reveals no corpse, so the brothers breathe easier—until Lemaire turns up shot to death in his car. John’s way of avoiding anything that might jeopardize his status as heir apparent to D&D is to throw TJ under the bus, blaming him for everything John himself has done and adding that you can’t trust anything his brother has said since he’s fallen off the wagon. TJ, who’s maintained his sobriety a day at a time for nearly two years, feels outraged, but neither the police investigating the murder nor his nearest and dearest care about his feelings. Forget the forgettable mystery, whose solution will leave you shrugging instead of gasping, and focus on the circular firing squad of the Devlins, and you’ll have a much better time than TJ.
As an adjunct member says, “You’re not a family, you’re a force.” Exactly, though not in the way you’d expect.Pub Date: March 26, 2024
ISBN: 9780525539704
Page Count: 384
Publisher: Putnam
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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