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CATHEDRALS OF KUDZU

A PERSONAL LANDSCAPE OF THE SOUTH

An insightful and entertaining collection.

Noted essayist and critic Crowther (Time, Newsweek, etc.), perhaps better known as novelist Lee Smith’s husband, has gathered together over two dozen sparkling essays on all things Southern.

These pieces (many of which were previously published in the Oxford American) range widely, covering Southern foodways, Southern folkways, and Southern bookways. One delightful essay hazards a guess at why Crowther’s native North Carolina boasts more found-lying-in-the-middle-of-the-road deaths than any other state (apparently most of the folks who check out this way were drunk and passed out sleepily on the pavement). When not focused on roadkill, Crowther spares little in singing the praises of his home, from the guitar tunes of Doc Watson to the vinegary barbecue you can’t find outside the Old North State. In “You Are My Sunshine,” Crowther pays homage to the Southern belle, who “play[s] a critical role in the survival of an endangered civilization—not only Southern but American civilization.” But Crowther can dish out criticism, too. “A Knight in White Flannel” asks just what William Faulkner would have made of Wal-Mart and Microsoft. Crowther takes on political correctness, calling it the “fascism of the Left.” The PC police, he says, are no better for history and literature than xenophobic book-burners, because they limit what writers can say—down to telling white writers not to write books narrated by black folks. In “The Twelve Apostles” (which takes on the manifesto of the Southern Agrarians, the 1930 anthology I’ll Take My Stand), Crowther bravely observes that Allen Tate et al. were right about an awful lot. Crowther’s constant name-dropping becomes tedious, however: he insists on telling us that he’s met Robert Penn Warren and Andrew Lytle, shared a few meals with Cormac McCarthy, and hung out with novelist Clyde Edgerton. But these are lapses of taste that can be easily forgiven.

An insightful and entertaining collection.

Pub Date: Aug. 1, 2000

ISBN: 0-8071-2594-6

Page Count: 192

Publisher: Louisiana State Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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