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BONITA PALMS

An entertaining, sometimes-erratic mystery with flawed but indelible characters.

A quiet Florida community becomes the site of a string of murders in this thriller.

Deputy Sheriff Miles Delany is investigating a murder scene in Bonita Palms. This gated community, with residents’ average age in the mid-50s, is an area with few serious crimes. But this one’s a doozy: It appears the victim, Cathy Sinclair, knew the killer, as there’s no indication of forced entry and no valuables are missing. Subsequent narrative perspectives from various people in Bonita Palms gradually reveal shady goings-on, from infidelity to blackmail. Unfortunately, more homicides with the same M.O. follow, and two local mayors in Lee County demand that Delany find a suspect and make an arrest. Both mayors seem to be looking for a reason to hand the case to one of their friends: former Deputy Sheriff Hank Broderick. Delany is already taking anti-anxiety meds, stemming from a past tragedy, and upping his dosage has unpleasant repercussions, such as getting into a scuffle with strangers. The drug regimen also presents a potential obstacle to his newfound romance with medical examiner Sara Churchill. Once he finally has a suspect, Delany rushes to uncover hard evidence and give himself a chance to stop a serial killer. Ross’ (The Doll Brokers, 2014, etc.) novel is a masterful blend of character development and mystery. Bonita Palms residents, for example, dabble in assorted misdeeds while murders intermittently occur. This results in probable victims who are unsympathetic, but it also makes identifying the killer difficult. In contrast, Delany’s tenacity in resolving the investigation is admirable, despite his grim backstory in Chicago and troubles with prescription drugs. With so much focus on individual characters, the author keeps the plot moving with ease. His straightforward prose never graphically details homicides or the occasional sex. But the mystery eventually relies on Delany’s hypothesis—a wild speculation that gives him a break in the case. The ending, too, is bizarre, though undeniably memorable.

An entertaining, sometimes-erratic mystery with flawed but indelible characters.

Pub Date: Sept. 13, 2019

ISBN: 978-1-949042-16-0

Page Count: 294

Publisher: TitleTown Publishing

Review Posted Online: Nov. 4, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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