SOUNDINGS

THE STORY OF THE REMARKABLE WOMAN WHO MAPPED THE OCEAN FLOOR

A well-researched, engaging account of an important scientific discovery that should also find a place on women’s-studies...

A complex, rich biography of a groundbreaking geologist who discovered “a rift valley running down the center of the Atlantic,” essentially transforming 20th-century geophysics despite “mid-century American gender bias” and scientific rivalries.

In her debut, Felt (Writing/Pittsburgh Univ.) ably enriches each of the biographical, historical and scientific threads she pursues. From the 1950s through the ’70s, Marie Tharp (1920–2006) mapped the entire ocean floor, an accomplishment honored by the Library of Congress in 1997, when she was named “one of the four greatest cartographers” of the 20th century. Trained in geology and mathematics, Tharp joined a team headed by Dr. Maurice Ewing at Columbia's Lamont Geological Laboratory. They were searching for a relationship between the continental shelf and seismological events, and Tharp’s task was to collect data from ocean-bottom sounding and draft maps that they overlaid with data on earthquake activity. Tharp partnered with another member of the team, seismologist Bruce Heezen (who became her longtime lover), and they were able to correlate her maps with earthquake epicenters. This contributed to the discovery of the massive rift running through all the world's oceans and a revival of interest in continental-drift theory, which led to our modern understanding of plate tectonics. Although the duo’s work was originally dismissed by Ewing, who targeted Tharp in particular, critics were silenced by evidence revealed in a Jacques Cousteau film. The author presents Tharp's career through the prism of a woman's struggle for recognition in a traditionally male scientific field. After Heezen's tragic early death, Tharp collected and organized the record of their joint scientific accomplishments, from which Felt draws.

A well-researched, engaging account of an important scientific discovery that should also find a place on women’s-studies shelves.

Pub Date: July 17, 2012

ISBN: 978-0-8050-9215-8

Page Count: 352

Publisher: Henry Holt

Review Posted Online: May 12, 2012

Kirkus Reviews Issue: June 1, 2012

THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Close Quickview