IF I SHOULD DIE BEFORE I WAKE

Nolan's first novel is ambitious indeed: she frames the story of teenage Chana's survival in the Lodz ghetto and Auschwitz with a second story, about a young neo-Nazi who—after a motorcycle accident from which her vicious boyfriend escapes unscathed—is in the intensive care unit where Chana is dying half a century later. Also near death, Hilary relives Chana's ordeal and eventually recovers to carry on Chana's role as Holocaust witness. There are some real strengths here: Chana's experiences—losing her family, one by one; escaping Lodz with her grandmother only to be jailed, tortured, identified as a Jew, and sent to the concentration camp; brutal conditions, desperate survival techniques, and alliances and betrayals among Jewish inmates; the degradation of playing the violin for the Nazis in order to survive—are evidently selected in order to depict a range of horrors; but they're also graphically and tellingly portrayed. Hilary is less convincing: her troubled past is too briefly sketched to make a firm basis for her almost sensationalized fanaticism, while her change of heart doesn't develop; it simply emerges full-blown. Still, juxtaposing the virulent paranoia of present-day skinheads with their forebears' atrocities is a bold basis for a novel; if some of the transitions here are a bit awkward, the book as a whole is deeply felt and often compelling. (Fiction. 12+)