An impressive use of one family to intimately portray the history of social and cultural changes over three generations.
Spanning nearly 60 years, this work of historical fiction chronicles the multitude of cultural changes in Japan after World War II from the perspective of a conflicted family of three.
Labeled a “half-fiction” by its author, Yumiko’s debut takes place in postwar Japan, depicting a once-militaristic country rushing toward Western modernization. Hisaharu and his wife, Misao, (based on the author’s own parents) face great hardship in this new, ever shifting culture, both having grown up in small villages before the fall of Japan’s militarism in which their own ancestors’ histories had only begun to transform into legends. They have one child, a reserved girl named Jericho, and the family finds itself regularly uprooted by Hisaharu’s poorly paying position in Japan’s new, stigmatized Defense Force. Paralleling the family, Japan itself remains unsettled, with communism spreading rapidly among its neighbors while Western ideas conflicting with the shriveling tenants of traditional lifestyle begin to alter views on religion, agriculture, and the roles of women in this new society. The novel deftly limns its protagonist; though Hisaharu’s life is used as the story’s framing device, it still portrays him realistically—a thoughtful but not unimpeachable devourer of books with a work ethic cultivated from traditional thinking. Misao is also tied to the past. Her upbringing during wartime grants her spirit and inner strength while at the same time limiting her ability to adjust to new times. And when her parents’ stubbornness gets somewhat tiresome, Jericho subtly changes tack. Even characters who appear fleetingly—an ill-prepared American missionary, a sexually broken classmate, a disheveled teacher, and so many more—both accentuate and stand separate from Japanese history. Those unfamiliar with postwar Japan will find the story approachable and informative with its engaging core centered on the difficulties of raising a child in a changing world.
An impressive use of one family to intimately portray the history of social and cultural changes over three generations.Pub Date: Jan. 30, 2015
ISBN: 978-1490863399
Page Count: 384
Publisher: Westbow Press
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: May 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
