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100 REASONS SHAKE-SPEARE WAS THE EARL OF OXFORD

An engrossing and thoughtful literary examination.

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A book offers an energetic defense of the Earl of Oxford theory regarding the authorship of the plays of William Shakespeare.

In this work about Edward de Vere, the 17th Earl of Oxford, the competing theories—proposing Francis Bacon, Christopher Marlowe, William Stanley, the Earl of Derby, and, of course,  Shakespeare himself—are given their day in court as well. (Indeed, examining and discarding these notions constitutes part of the quite literal 100 reasons presented in the volume.) As the alternative possibilities are explored, Whittemore (Feeling It, 2016, etc.) makes a progressively stronger case for the Earl of Oxford as the sole author of the works of Shakespeare. Beginning in the book’s introduction by questioning how such a seemingly unremarkable man as Shakespeare could demonstrate such near-miraculous genius, Whittemore takes the reader on an intricate journey in scholarship regarding the theater and the Renaissance period. He touches on the first Oxfordian supporter—John Thomas Looney—and builds profiles of the various players in Shakespeare’s world, from Queen Elizabeth I’s chief adviser, Lord Burghley, to her spymaster, Francis Walsingham. During this odyssey, an image of de Vere himself emerges: a brilliant, controversial man and an intimate of Elizabeth’s court with poetry and theater in his blood—an ideal alternative to Shakespeare for reasons ranging from creativity to insight into statecraft. While mainstream academia largely dismisses questions of authorship in studying the works of Shakespeare, Whittemore strongly champions the Oxfordian argument in this tour de force defense while remaining a highly entertaining writer. A breezy but very intelligent tone is maintained throughout the book; the reader is neither patronized nor boggled by minutiae and jargon. Instead, there is a magnetic sense of history, art, politics, and human nature injected into a smooth and eminently readable storytelling style. It is obvious that the author’s research has been painstaking, but the resulting document is more than painless—it’s downright pleasurable. The text itself is immaculate, as one would expect from such a seasoned nonfiction writer and scholar. One may or may not accept the Oxfordian argument, but Whittemore ensures that the reader will never again lightly dismiss it.

An engrossing and thoughtful literary examination.

Pub Date: Oct. 27, 2016

ISBN: 978-0-9835027-7-7

Page Count: 370

Publisher: Forever

Review Posted Online: Dec. 28, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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