ANTIQUITY

A fiction debut that explores the intersection of desire and power.

The story’s unnamed protagonist, a woman who’s a writer, becomes infatuated with an artist called Helena after interviewing the older woman for an article. When Helena offers the narrator an invitation to spend the summer in Greece with her, the protagonist sees this as an opportunity for their relationship to deepen. At first, Helena’s teenage daughter, Olga, is an unwelcome distraction, but, eventually, the protagonist’s attention turns to the girl. First published in 2021, this novel earned lavish critical praise—including literary prizes—in Sweden. Johansson uses her chosen setting to good effect. Her characters are surrounded by sumptuous sensory experiences but also isolated, and that isolation enhances the sense of pending disaster that permeates the text. Whether or not readers appreciate this work, though, will depend largely on their reaction to the first-person narration and the slow pace at which the plot unfolds. The protagonist is an outsider; indeed, she seems to be a mere observer of her own life. At the same time, her desperate loneliness makes her solipsistic. Her obsessions are more about her need for an identity than any particular qualities of the people with whom she becomes obsessed. This trait makes psychological sense, but, as the only character given a point of view, she becomes rather tiresome company, and the pacing only exacerbates the issue. While no one should expect this story to read like a thriller, fiction doesn’t have to feel like a chore to have literary merit. The author does, ultimately, provide us with an intriguing thought experiment: How would we react if the protagonist had been a man?

This may not be an entirely satisfactory first novel, but Johansson has strengths that make her a writer to watch.