by Hanna Krall translated by Philip Boehm ‧ RELEASE DATE: Jan. 28, 2017
A quirky but exceptional story of infinite love and life-sustaining commitment.
Polish writer Krall transmutes the real experience of a Holocaust survivor into an emotionally bleached yet devastating account of where love can take us.
In a shockingly matter-of-fact tone, Krall (The Woman from Hamburg and Other True Stories, 2005, etc.) recounts the horrors of Jewish suffering during World War II in brief chapters and a terse narrative voice: “Shayek leaves to fetch his sisters but comes back without them. They committed suicide, after poisoning little Szymus. Shayek tried to find out where they were buried, but the man who dug their grave is no longer alive either.” Without preamble, her short novel plunges the reader into the midst of life in the Warsaw ghetto, where bombs, lice, typhus, and death are everyday events. The book’s running refrain when someone disappears is: “That’s too bad….We’re still here.” The narrative belongs to Izolda Regensberg, who meets her husband, Shayek, on Page 1 and spends most of the remaining pages trying to save him, first from Auschwitz and later Mauthausen concentration camps. Initially she escapes from the ghetto and works to save her own family and Shayek’s, dyeing her hair blonde, taking on an Aryan identity, and accepting rape by policemen as a form of currency. Her nightmare picaresque journey of arrests, escapes, and desperate negotiations continues after Shayek’s arrest. She is sent into forced labor, beaten and tortured by the Gestapo, later dispatched to Auschwitz herself, and yet her indomitable resilience pushes her ever forward—and the occasional chapters set 25 years in the future, in Israel, with Izolda surrounded by grandchildren, confirm she will survive. But it’s Krall’s unique voice that dominates this detached, surreal, curiously playful tale of a woman of indefatigable resourcefulness trapped between history and her heart.
A quirky but exceptional story of infinite love and life-sustaining commitment.Pub Date: Jan. 28, 2017
ISBN: 978-1-55861-944-9
Page Count: 200
Publisher: Feminist Press
Review Posted Online: Nov. 23, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Hanna Krall & translated by Madeline G. Levine
by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Susan Crandall ‧ RELEASE DATE: July 2, 2013
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
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